Sophocles, Antigone, Lewis Campbell (Translator), 187

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CR
Enter CREON . 883

If criminals were suffered to complain

In dirges before death, they ne’er would end.

Away with her at once, and closing her,
885

As I commanded, in the vaulty tomb,

Leave her all desolate, whether to die,

Or to live on in that sepulchral cell.

We are guiltless in the matter of this maid;

Only she shall not share the light of day.
890

Antigone. Sophocles. Lewis Campbell (Translator). London, New York and Toronto. 1906.

Current edition Experimental

English (Lewis Campbell, 1906) (OCR draft) (English) (English (Lewis Campbell, 1906))

Provisional text from uncorrected OCR; expect errors.

Editions (12)

Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 187 focus

θείμην ἐμαυτῷ, τοῦτο γιγνώσκων, ὅτι

Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 187 focus

τοιοῖσδ᾽ ἐγὼ νόμοισι τήνδ᾽ αὔξω πόλιν,

Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 187 focus

ἥδ᾽ ἐστὶν ἡ σώζουσα καὶ, ταύτης ἔπι

Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 187 focus

οὔτ᾽ ἂν φίλον ποτ' ἄνδρα δυσμενῆ χθονὸς

Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 187 focus

οὔτ᾽ ἂν φίλον ποτ᾽ ἄνδρα δυσμενῆ χθονὸς

Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 187.mvp-line-187 focus

οὔτ’ ἂν φίλον ποτ’ ἄνδρα δυσμενῆ χθονὸς

Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 187 focus

οὔτ᾽ ἂν φίλον ποτ᾽ ἄνδρα δυσμενῆ χθονὸς

Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 187 focus

οὔτ᾽ ἂν φίλον πότ᾽ ἄνδρα δυσμενῆ χθονὸς

Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 187 focus

οὔτ᾽ ἂν φίλον ποτ᾽ ἄνδρα δυσμενῆ χθονὸς

Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 187.mvp-line-187 focus

οὔτ᾽ ἂν φίλον ποτ᾽ ἄνδρα δυσμενῆ χθονὸς

Antigone (OCR draft) Experimental (Antigone) — 187 focus

οὔτʼ ἂν φίλον ποτʼ ἄνδρα δυσμενῆ χθονὸς

Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 187 focus

οὔτ᾽ ἂν φίλον ποτ᾽ ἄνδρα δυσμενῆ πόλεως

Translations (9)

German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 187 focus

CHOR.

Und welchen Tod gedenkst du jener anzuthun?

Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 187 focus

ANTIGONA

858 Llegaste a poner tu lengua en mis más dolorosos remordimientos: el infortunio de mi padre, que ha pesado sobre tres generaciones, y la fatalidad de toda nuestra familia, de los ilustres Labdácidas. ¡Oh funesto lecho de mi madre, y concubinato por ella engendrado con mi mismo padre, hijo de tan desdichada madre, por los cuales yo infeliz fui concebida!, hacia vosotros, maldecida y soltera, vedme aquí que caminando voy. ¡Oh hermano, que tan infaustos honores alcanzaste!, muerto tú, me mataste viva.

Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 187 focus

Antigone

Á 858 Acerbissimum mihi dolorem refricas, nimis extentum luctum ob patris infortunia, universamque nostram decantatorum Labdacidarum cladem. O materna nuptiarum noxa, incestique concubitus patris mei cum calamitosa matre , quibus egoolim infelix edita fui; ad quos, diris devota, innupta, sic ego commigro! O infausti, frater, potite coniugii, mortuus ipse vivam me adhuc occidisti!

German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 211 focus

Dir, Sohn Menökeus', Kreon, ist es so genehm

Mit dieses Landes Gegner und mit seinem Freund.

Denn jede Sazung anzuordnen steht dir frei,

So für die Todten, wie für uns, die Lebenden.

Kreon.

Seid ihr die Hüter dessen nun, was ich gebot!
215

Der Chor.

Der Jüngern Einem lege dies zu tragen auf.

Kreon.

Die, so den Leichnam hüten, steh'n ja schon bereit.

Der Chor.

Warum denn einem Andern noch gebeutst du dies?

Kreon.

Daß Keinem Nachsicht werde, der dawider thut.

Der Chor.

Wer ist so thöricht, daß er sich zu sterben sehnt?
220

Kreon.

Und dieses wäre, traun, der Lohn; doch Vielen ja

Hat schon die Hoffnung auf Gewinn den Tod gebracht.

Ein Wächter. Die Voriger.

Der Wächter.

Herr, ich will nicht sagen, daß ich athemlos

Vor Eile komme mit behend erhob'nem Fuß;

Denn viel Bedenken schus mir manchen Aufenthalt,
225

Und oft zur Rückkehr wandt' ich unterwegs mich um.

Denn meine Seele sprach zu mir und warnte viel:

„Was willst du dorthin, Armer, wo dir Strafe droht?

Elender, säumst du? Doch erfährt es Kreon dann

Von einem Andern, würde dir's nicht schlimm ergeh'n?"
230

In solchem Grübeln ging ich langsam schnell voran,

Und also streckt sich lange hin der kurze Weg.

Doch siegt' am Ende der Entschluß, hieher zu geh'n,

Zu dir; und sag' ich dir auch Nichts, ich sag' es doch.

Denn an die Hoffnung klammr' ich unverrückt mich an,
235

Nichts könne sonst mich treffen, als bestimmtes Loos.

Kreon.

English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 187 focus

Creon
Scene V.

Antigone, Chorus,

Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 187 focus

EL CORO

¿Y qué suplicio le tienes preparado á la otra?

German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 187 focus

KREON

Ihr wisset, keines läfst das Singen und das Heulen

In Todesnoth, so lang man hin und her spricht.
915

Führt sie gleich weg, und mit der Gruft, der dunklen,

Umschattet ihr sie, wie gesagt, dort lafst sie rulır

Einsam allein; mag sie nun sterben müsser

Mag lebend unter solchem Dache zehren.

Denn wir sind rein, was dieses Mädchen angeht,
920

Die Häuslichkeit hier oben aber felılt ihr.

English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 187 focus

Chorus

872 Reverent action claims a certain praise for reverence; but an offence against power cannot be brooked by him who hath power in his keeping. Thy self-willed temper hath wrought thy ruin,

English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 162-330 focus

Enter Creon, with two attendants.

Creon

My fellow citizens! First, the gods, after tossing the fate of our city on wild waves, have once more righted it. Second, I have ordered you through my messengers to come here

apart from all the rest, because I knew, first of all, how constant was your reverence for the power of the throne of Laius; how, again, you were reverent, when Oedipus was guiding our city; and lastly, how, when he was dead, you still maintained loyal thoughts towards his children.
165

Since, then, these latter have fallen in one day by a twofold doom—each striking, each struck, both with the stain of a brother’s murder—I now possess all the power and the throne according to my kinship with the dead.
170

Now, it is impossible to know fully any man’s character, will, or judgment, until he has been proved by the test of rule and law-giving. For if anyone who directs the entire city does not cling to the best and wisest plans,
175

but because of some fear keeps his lips locked, then, in my judgment, he is and has long been the most cowardly traitor. And if any man thinks a friend more important than his fatherland, that man, I say, is of no account. Zeus, god who sees all things always, be my witness—
180

I would not be silent if I saw ruin, instead of safety, marching upon the citizens. Nor would I ever make a man who is hostile to my country a friend to myself, because I know this, that our country is the ship that bears us safe, and that only when
185

we sail her on a straight course can we make true friends. Such are the rules by which I strengthen this city. Akin to these is the edict which I have now published to the citizenry concerning the sons of Oedipus: Eteocles, who fell fighting
190

in behalf of our city and who excelled all in battle, they shall entomb and heap up every sacred offering that descends to the noblest of the dead below. But as for his brother, Polyneices, I mean, who on his return from exile wanted to burn to the ground
195

the city of his fathers and his race’s gods, and wanted to feed on kindred blood and lead the remnant into slavery—it has been proclaimed to the city that no one shall give him funeral honors or lamentation,
200

but all must leave him unburied and a sight of shame, with his body there for birds and dogs to eat. This is my will, and never will I allow the traitor to stand in honor before the just. But whoever has good will to Thebes ,
205

he shall be honored by me in death as in life.
210

211

Chorus

That is your will, Creon, towards this city’s enemy and its friend. And the power is yours, I believe, to make use of every law whatsoever, both concerning the dead and all us who live.

Creon

See, then, that you be guardians of my commands.
215

Chorus

Lay the weight of this task on some younger man.

Creon

That is not what I meant—the guards for the corpse are already in place.

Chorus

Then what is this other command that you would give?

Creon

That you not give way to the breakers of my commands.

Chorus

There is no one so foolish as to crave death.
220

Creon

I assure you, that is the wage for disobedience. Yet by just the hope of it, money has many times corrupted men.

Enter Guard.

Guard

My king, I will not say that I arrive breathless because of speed, or from the action of a swift foot.

For often I brought myself to a stop because of my thoughts, and wheeled round in my path to return. My mind was telling me many things: Fool, why do you go to where your arrival will mean your punishment? Idiot, are you dallying again? If Creon learns it from another, must you not suffer for it?
225

So debating, I made my way unhurriedly, slow, and thus a short road was made long. At last, however, the view prevailed that I should come here—to you. Even if my report brings no good, still will I tell you,
230

since I come with a good grip on one hope, that I can suffer nothing except what is my fate.
235

237

Creon

And what is it that so disheartens you?

Guard

I want to tell you first about myself—I did not do the deed, nor did I see the doer,

so it would be wrong that I should come to any harm.
240

Creon

Like a bowman you aim well at your target from a distance, and all around you hedge yourself off well from the deed. It is clear that you have some unheard-of thing to tell.

Guard

That I do, for terrible news imposes great hesitation.

Creon

Then tell it, will you, and so unburdened go away?

Guard

Well, here it is. The corpse—some one has just given it burial and disappeared after sprinkling thirsty dust on the flesh and performing the other rites that piety demands.
245

Creon

What are you saying? What man dared do this?

Guard

I do not know. For there was no scar of a pickax to be seen there,

no earth thrown up by a mattock. The ground was hard and dry, unbroken, not rolled over by wheels. The doer was someone who left no trace. When the first day-watchman showed it to us, a discomforting amazement fell on us all.
250

The dead man was veiled from us—not shut within a tomb, but a light cover of dust was on him, as if put there by the hand of one who shunned a curse. And no sign was visible that any beast of prey or any dog had approached or torn him. Then evil words flew thick and loud among us,
255

guard accusing guard. It would even have come to blows in the end, nor was there anyone there to prevent it: every man was the culprit, and no one was plainly guilty, while all disclaimed knowledge of the act. We were ready to take red-hot iron in our hands,
260

to walk through fire and to swear oaths by the gods that we had neither done the deed, nor shared knowledge of the planning or the doing. At last, when our investigating got us nowhere, someone spoke up and made us all bend our faces
265

in fear towards the earth. For we did not know how we could argue with him, nor yet prosper, if we did what he said. His argument was that the deed must be reported to you and not hidden. This view prevailed, and so it was that
270

the lot doomed miserable me to win this prize. So here I stand, as unwelcome to you as I am unwilling, I well know. For no man delights in the bearer of bad news.
275

278

Chorus

My king, my thoughts have long been deliberating whether this deed is somehow the work of gods?

Creon

Quiet, before your words truly fill me with rage, so that you not be found at the same time foolish as well as old. You say what is intolerable when you claim that the gods have concern for that corpse. Was it in high esteem for his benefactions
280

that they sought to hide him, when he had come to burn their columned shrines, their sacred treasures and their land, and scatter its laws to the winds? Or do you see the gods honoring the wicked? It cannot be. No! From the very first
285

certain men of the city were chafing at this edict and muttering against me, tossing their heads in secret, and they did not keep their necks duly under the yoke in submission to me. By those men, I am certain, they were led astray and bribed to do this deed.
290

Nothing so evil as money ever grew to be current among men. This destroys cities, this drives men from their homes, this trains and warps honest minds to set themselves to works of shame,
295

this teaches people to practise villainies, and to know every act of unholiness. But all the men who did this job for hire have made sure that, sooner or later, they shall suffer the punishment. Now, as Zeus still has my reverence, know this well—
300

I tell you on my oath. If you do not find the very hand that made this burial, and reveal him before my eyes, mere death shall not suffice for you, not before, hung up alive, you have made this outrage plain,
305

so that hereafter you may thieve with better knowledge of where your money should be received from, and learn that it is best not to be fond of money-making from any and every source. For you will find that ill-gotten gains bring more men to ruin than to safety.
310

315

Guard

Will you allow me to speak? Or shall I just turn and go?
315

Creon

Do you not know even now how much your voice sickens me?

Guard

Is the pain in your ears, or in your soul?

Creon

And why would you define the seat of my pain?

Guard

He who did it hurts your heart, but I, your ears.

Creon

God! How plain it is that you are a born babbler.
320

Guard

Perhaps, but never the author of this action.

Creon

Yes, and what is more, you sold your life for silver.

Guard

Ah! It is truly sad when the judge judges wrong .

Creon

Expound on judgment as you will. But, if you fail to

show me the perpetrators of these crimes, you will avow that money basely earned wreaks sorrows. Exit Creon.
325

Guard

Well, may the man be found! That would be best. But, whether he be caught or not—for fortune must decide that—I assure you that you will not see me come here again.

Saved just now beyond hope and belief, I owe the gods great thanks. Exit the Guard.
330

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-525-1 ἆρ’ ἴστε ¹ λέγειν ² ἀοιδὰς καὶ γόους ³ ἴστε ⁴

mvp-comment-525-2 οὐδ’ ἂν εἷς ⁵

mvp-comment-526-1 οὐκ ἄξεθ’ ⁶ τάχιστα.—κατηρεφεῖ ⁷

mvp-comment-527-1 περιπτύξαντες ⁸

mvp-comment-528-1 χρῇ ⁹ ζῶσα ¹⁰ χρῇ ¹¹

mvp-comment-528-2

σιγῆν

; but the MSS. are supported by the testimony of Suidas and Hesychius to

χρῇς

as=

χρῄζεις

. In the other four places where these forms are usu. read, they are not indispensable,

χρή

being possible; but in two, at least, they are much better than

χρή

, viz. El. 606

κήρυσσέ μ’ εἰς ἅπαντας, εἴτε χρῇς κακήν, | εἴτε στόμαργον, κ.τ.λ.

: and Ai. 1373

σοὶ δὲ δρᾶν ἔξεσθ’ ἃ χρῇς

. In the other two,

χρή

might well stand: Eur. fr. 910

πρὸς ταῦθ’ ὅ τι χρῇ καὶ παλαμάσθω | καὶ πᾶν ἐπ’ ἐμοὶ τεκταινέσθω

: Cratinus

Νόμοι

fr. 2

νῦν γὰρ δή σοι πάρα μὲν θεσμοὶ | τῶν ἡμετέρων, πάρα δ’ ἄλλ’ ὅ τι χρῇς

. Except in Ach. 778 , the MSS. everywhere give

χρή

: and the variants in the next v. (see cr. n.) show that

χρῇ

was strange to the copyists, though known to the Scholiast.

mvp-comment-529-1 ζῶσα τυμβεύειν ¹² νυμφεύειν ¹³

mvp-comment-529-2 στέγῃ ¹⁴

mvp-comment-530-1 ἁγνοί ¹⁵

mvp-comment-530-2 τοὐπὶ τήνδε ¹⁶

mvp-comment-531-1 μετοικίας ¹⁷

mvp-comment-531-2 δ’ οὖν ¹⁸

mvp-comment-531-3 στερήσεται ¹⁹

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

883. mvp-comment-501-1 ἀοιδὰς .. πρὸ τοῦ θανεῖν Cp. Aesch. Ag. 1444-1445, ἡ δέ τοι κύκνου δί· κην | τὸν ὕστατον μέλψασα θανάσιμον γόον | κεῖται φιλήτωρ τοῦδε.

884. mvp-comment-502-1 εἰ χρείη If it were allowed. Ср. О. Т. 1110, εἰ χρή τι κἀμὲ μὴ συναλλάξαντά πω, | πρέσβυ, σταθμᾶσθαι: Ο. C. 1711, πῶς με χρὴ τὸ σὸν τάλαιναν ἀφανίσαι τοσόνδ' ἄχος. This modified use of χρή = One is to, not One must,' is only possible in hypothetical or interrogative sentences.

887. mvp-comment-503-1 ἄφετε This is on the whole more probable than ἄπιτε. The change from the future with οὐκ to the imperative has probably occasioned the corruption of the text.

887. mvp-comment-503-2 χρή This the Scholiast explained by χρήσει, i. e. he read χρῇ. And this is necessary, if τυμβεύειν is read in 888. But τυμβεύσει, the reading of Triclinius, is supported by τυμβεύει in AV³. Whether she must die there, or shall live a buried life in that dark cell. For εἰ .. χρή, cp. Εl. 399, πεσούμεθ', εἰ χρή, πατρὶ τιμωρούμενοι. And for τυμβεύσει, see Essay on Language p. 64 b. The intransitive use of τυμβεύειν occurs nowhere else.

889. mvp-comment-504-1 Creon claims to be pure from the blood of Antigone, because he has altered the doom of stoning (1. 36) to that of immurement, and because of the modicum of food that is to be shut in with her, ὡς ἄγος (1. 775).

890. mvp-comment-505-1 'At all events she shall no longer share the right of dwelling with us in the light of day.'

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Current edition Experimental

CHOR. Und welchen Tod gedenkst du jener anzuthun?

Dir, Sohn Menökeus', Kreon, ist es so genehm Mit dieses Landes Gegner und mit seinem Freund. Denn jede Sazung anzuordnen steht dir frei, So für die Todten, wie für uns, die Lebenden.

Kreon. Seid ihr die Hüter dessen nun, was ich gebot! 215

Der Chor. Der Jüngern Einem lege dies zu tragen auf.

Kreon. Die, so den Leichnam hüten, steh'n ja schon bereit.

Der Chor. Warum denn einem Andern noch gebeutst du dies?

Kreon. Daß Keinem Nachsicht werde, der dawider thut.

Der Chor. Wer ist so thöricht, daß er sich zu sterben sehnt? 220

Kreon. Und dieses wäre, traun, der Lohn; doch Vielen ja Hat schon die Hoffnung auf Gewinn den Tod gebracht. Ein Wächter. Die Voriger.

Kreon.

Creon Scene V. Antigone, Chorus,

EL CORO ¿Y qué suplicio le tienes preparado á la otra?

Chorus 872 Reverent action claims a certain praise for reverence; but an offence against power cannot be brooked by him who hath power in his keeping. Thy self-willed temper hath wrought thy ruin,

Chorus That is your will, Creon, towards this city’s enemy and its friend. And the power is yours, I believe, to make use of every law whatsoever, both concerning the dead and all us who live.

Creon See, then, that you be guardians of my commands. 215

Chorus Lay the weight of this task on some younger man.

Creon That is not what I meant—the guards for the corpse are already in place.

Chorus Then what is this other command that you would give?

Creon That you not give way to the breakers of my commands.

Chorus There is no one so foolish as to crave death. 220

Creon I assure you, that is the wage for disobedience. Yet by just the hope of it, money has many times corrupted men.

Creon And what is it that so disheartens you?

Guard I want to tell you first about myself—I did not do the deed, nor did I see the doer, so it would be wrong that I should come to any harm. 240

Creon Like a bowman you aim well at your target from a distance, and all around you hedge yourself off well from the deed. It is clear that you have some unheard-of thing to tell.

Guard That I do, for terrible news imposes great hesitation.

Creon Then tell it, will you, and so unburdened go away?

Guard Well, here it is. The corpse—some one has just given it burial and disappeared after sprinkling thirsty dust on the flesh and performing the other rites that piety demands. 245

Creon What are you saying? What man dared do this?

Chorus My king, my thoughts have long been deliberating whether this deed is somehow the work of gods?

Guard Will you allow me to speak? Or shall I just turn and go? 315

Creon Do you not know even now how much your voice sickens me?

Guard Is the pain in your ears, or in your soul?

Creon And why would you define the seat of my pain?

Guard He who did it hurts your heart, but I, your ears.

Creon God! How plain it is that you are a born babbler. 320

Guard Perhaps, but never the author of this action.

Creon Yes, and what is more, you sold your life for silver.

Guard Ah! It is truly sad when the judge judges wrong .

Creon Expound on judgment as you will. But, if you fail to show me the perpetrators of these crimes, you will avow that money basely earned wreaks sorrows. Exit Creon. 325

Guard Well, may the man be found! That would be best. But, whether he be caught or not—for fortune must decide that—I assure you that you will not see me come here again. Saved just now beyond hope and belief, I owe the gods great thanks. Exit the Guard. 330

Commentary

Stable identifiers

CHOR.

Und welchen Tod gedenkst du jener anzuthun?

Dir, Sohn Menökeus', Kreon, ist es so genehm

Mit dieses Landes Gegner und mit seinem Freund.

Denn jede Sazung anzuordnen steht dir frei,

So für die Todten, wie für uns, die Lebenden.

Kreon.

Seid ihr die Hüter dessen nun, was ich gebot!
215

Der Chor.

Der Jüngern Einem lege dies zu tragen auf.

Kreon.

Die, so den Leichnam hüten, steh'n ja schon bereit.

Der Chor.

Warum denn einem Andern noch gebeutst du dies?

Kreon.

Daß Keinem Nachsicht werde, der dawider thut.

Der Chor.

Wer ist so thöricht, daß er sich zu sterben sehnt?
220

Kreon.

Und dieses wäre, traun, der Lohn; doch Vielen ja

Hat schon die Hoffnung auf Gewinn den Tod gebracht.

Ein Wächter. Die Voriger.

Creon
Scene V.

Antigone, Chorus,

EL CORO

¿Y qué suplicio le tienes preparado á la otra?

Chorus

872 Reverent action claims a certain praise for reverence; but an offence against power cannot be brooked by him who hath power in his keeping. Thy self-willed temper hath wrought thy ruin,

Chorus

That is your will, Creon, towards this city’s enemy and its friend. And the power is yours, I believe, to make use of every law whatsoever, both concerning the dead and all us who live.

Creon

See, then, that you be guardians of my commands.
215

Chorus

Lay the weight of this task on some younger man.

Creon

That is not what I meant—the guards for the corpse are already in place.

Chorus

Then what is this other command that you would give?

Creon

That you not give way to the breakers of my commands.

Chorus

There is no one so foolish as to crave death.
220

Creon

I assure you, that is the wage for disobedience. Yet by just the hope of it, money has many times corrupted men.

Creon

And what is it that so disheartens you?

Guard

I want to tell you first about myself—I did not do the deed, nor did I see the doer,

so it would be wrong that I should come to any harm.
240

Creon

Like a bowman you aim well at your target from a distance, and all around you hedge yourself off well from the deed. It is clear that you have some unheard-of thing to tell.

Guard

That I do, for terrible news imposes great hesitation.

Creon

Then tell it, will you, and so unburdened go away?

Guard

Well, here it is. The corpse—some one has just given it burial and disappeared after sprinkling thirsty dust on the flesh and performing the other rites that piety demands.
245

Creon

What are you saying? What man dared do this?

Chorus

My king, my thoughts have long been deliberating whether this deed is somehow the work of gods?

Guard

Will you allow me to speak? Or shall I just turn and go?
315

Creon

Do you not know even now how much your voice sickens me?

Guard

Is the pain in your ears, or in your soul?

Creon

And why would you define the seat of my pain?

Guard

He who did it hurts your heart, but I, your ears.

Creon

God! How plain it is that you are a born babbler.
320

Guard

Perhaps, but never the author of this action.

Creon

Yes, and what is more, you sold your life for silver.

Guard

Ah! It is truly sad when the judge judges wrong .

Creon

Expound on judgment as you will. But, if you fail to

show me the perpetrators of these crimes, you will avow that money basely earned wreaks sorrows. Exit Creon.
325

Guard

Well, may the man be found! That would be best. But, whether he be caught or not—for fortune must decide that—I assure you that you will not see me come here again.

Saved just now beyond hope and belief, I owe the gods great thanks. Exit the Guard.
330