Ismene
Atqui par est utriusque delictum.
Atqui par est utriusque delictum.
Antigone. Sophocles. Berlin. 1806.
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Table of Contents
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Current edition Experimental
Latin (F. H. Bothe, 1806) (OCR draft) (Latin) (Latin (F. H. Bothe, 1806))
Provisional text from uncorrected OCR; expect errors.
Editions (12)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 118 focus
σαισιν ἀμφιχανὼν κύκλῳ
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 118 focus
λόγχαις ἑπτάπυλον στόμα
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 118 focus
αισιν ἀμφιχανὼν κύκλῳ
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 118 focus
λόγχαις ἑπτάπυλον στόμα,
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 118 focus
σαισιν ἀμφιχανὼν κύχλῳ
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 118.mvp-line-118 focus
σαισιν ἀμφιχανὼν κύκλῳ
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 118 focus
σαισιν ἀμφιχανὼν κύκλωι
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 118 focus
σαισιν ἀμφιχανὼν κύκλῳ
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 118 focus
λόγχαις ἑπτάπυλον στόμα,
2
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 118.mvp-line-118 focus
σαισιν ἀμφιχανὼν κύκλῳ
Antigone (OCR draft) Experimental (Antigone) — 118 focus
λόγχαις ἑπτάπυλον στόμα
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 118 focus
σαισιν ἀμφιχανὼν κύκλωι
Translations (10)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 118 focus
ISMENE
Was kränkst du so mich, ohne daſs dir's Nutzen bringt?
Was kränkst du so mich, ohne daſs dir's Nutzen bringt?
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 118 focus
ISMENA
Pues, en verdad, igual de las dos
ès
es el delito.
Pues, en verdad, igual de las dos
ès
es el delito.
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 118 focus
ISM
Yet truly we are both alike in fault.
Yet truly we are both alike in fault.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 117 focus
Ueber den Dächern stehend, umgähnt'
Er den siebenthorigen Mund
Mit blutlechzenden Speeren rings,
Und floh, eh' in unserem Blut
120
Sich sein gieriger Schlund
Schwelgend füllt und ehe den Kranz der Thürme
Flammenglut des Hephästos fraß.
Also braust' im Rücken umher
Donner des Kriegs; schwer wurde der Kampf
125
Dem anstürmenden Drachen.
1
Ueber den Dächern stehend, umgähnt'
Er den siebenthorigen Mund
Mit blutlechzenden Speeren rings,
Und floh, eh' in unserem Blut
120
Sich sein gieriger Schlund
Schwelgend füllt und ehe den Kranz der Thürme
Flammenglut des Hephästos fraß.
Also braust' im Rücken umher
Donner des Kriegs; schwer wurde der Kampf
125
Dem anstürmenden Drachen.
1
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 118 focus
Ismene
O king ! (The mind doth seldom keep her
seat
When sunk beneath misfortunes.) i-.
O king ! (The mind doth seldom keep her
seat
When sunk beneath misfortunes.) i-.
Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 118 focus
ISMENA
¿Y de qué otro modo podré servirte en este trance?
¿Y de qué otro modo podré servirte en este trance?
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 118 focus
ANTIGONAE
Sey gutes Muths! du lebst, doch meine Seele,
Längst ist siettodt, so dass ich Todten diene.
Sey gutes Muths! du lebst, doch meine Seele,
Längst ist siettodt, so dass ich Todten diene.
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 118 focus
Ismene
Howbeit, the offence is the same for both of us.
Howbeit, the offence is the same for both of us.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 118 focus
Creon
Wisdom by him, by one so green in years?
HEM. Nothing that is not just: though few my years,
Not what my age, but what is right regard.
Is it then just to favour those, who dare
To disobey?
I wish no favour.
To those, whose deeds are ill,
Hath not she been found
Deep-tainted with this ill ?
Not such the voice
Of Thebes through all its state.
Wisdom by him, by one so green in years?
HEM. Nothing that is not just: though few my years,
Not what my age, but what is right regard.
Is it then just to favour those, who dare
To disobey?
I wish no favour.
To those, whose deeds are ill,
Hath not she been found
Deep-tainted with this ill ?
Not such the voice
Of Thebes through all its state.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 100-160 focus
Enter the Chorus on the right.
110
Chorus
Shaft of the sun, fairest light of all that have dawned on
Thebes
of the seven gates, you have shone forth at last, eye of golden day, advancing over Dirce’s streams!
100
You have goaded with a sharper bit the warrior of the white shield, who came from
Argos
in full armor, driving him to headlong retreat.
105
Shaft of the sun, fairest light of all that have dawned on
Thebes
of the seven gates, you have shone forth at last, eye of golden day, advancing over Dirce’s streams!
100
You have goaded with a sharper bit the warrior of the white shield, who came from
Argos
in full armor, driving him to headlong retreat.
105
Chorus
He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing,
110
with a mass of weapons and crested helmets.
115
He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing,
110
with a mass of weapons and crested helmets.
115
Chorus
He paused above our dwellings; he gaped around our sevenfold portals with spears thirsting for blood; but he left
before his jaws were ever glutted with our gore, or before the Fire-god’s pine-fed flame had seized our crown of towers.
120
So fierce was the crash of battle swelling about his back, a match too hard to win for the rival of the dragon.
125
He paused above our dwellings; he gaped around our sevenfold portals with spears thirsting for blood; but he left
before his jaws were ever glutted with our gore, or before the Fire-god’s pine-fed flame had seized our crown of towers.
120
So fierce was the crash of battle swelling about his back, a match too hard to win for the rival of the dragon.
125
Chorus
For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood,
arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts.
130
For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood,
arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts.
130
Chorus
Staggered, he fell to the earth with a crash,
torch in hand, a man possessed by the frenzy of the mad attack, who just now was raging against us with the blasts of his tempestuous hate. But his threats did not fare as he had hoped, and to the other enemies mighty Ares dispensed each their own dooms with hard blows,
135
Ares, our mighty ally at the turning-point.
140
Staggered, he fell to the earth with a crash,
torch in hand, a man possessed by the frenzy of the mad attack, who just now was raging against us with the blasts of his tempestuous hate. But his threats did not fare as he had hoped, and to the other enemies mighty Ares dispensed each their own dooms with hard blows,
135
Ares, our mighty ally at the turning-point.
140
Chorus
For the seven captains, stationed against an equal number at the seven gates, left behind their brazen arms in tribute to Zeus the turner of battle—all but the accursed pair who, born of one father and one
mother, set against each other their spears, both victorious, and who now share in a common death.
145
For the seven captains, stationed against an equal number at the seven gates, left behind their brazen arms in tribute to Zeus the turner of battle—all but the accursed pair who, born of one father and one
mother, set against each other their spears, both victorious, and who now share in a common death.
145
Chorus
But since Victory whose name is glory has come to us, smiling in joy equal to the joy of chariot-rich
Thebes
,
let us make for ourselves forgetfulness after the recent wars, and visit all the temples of the gods with night-long dance and song. And may Bacchus, who shakes the earth of
Thebes
, rule our dancing!
150
But since Victory whose name is glory has come to us, smiling in joy equal to the joy of chariot-rich
Thebes
,
let us make for ourselves forgetfulness after the recent wars, and visit all the temples of the gods with night-long dance and song. And may Bacchus, who shakes the earth of
Thebes
, rule our dancing!
150
Chorus
But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion,
155
that he has proposed this special conference of elders, and summoned it by a general mandate?
160
But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion,
155
that he has proposed this special conference of elders, and summoned it by a general mandate?
160
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
223-330. mvp-comment-136-1 The half-comic or rustic character of the watchman in this play is an extension of the common character of the messenger, whose natural rudeness of speech and thought brings into greater prominence the horror or pathos of the events he describes. The grotesqueness disappears when he speaks of the action of Antigone in 407-440. The employment of this artifice by Sophocles arises from the same motive to which Shakespeare gave a far wider range in such creations as the gravediggers in Hamlet, and the rural fellow in Antony and Cleopatra. The Messenger in the Trachiniae, the Corinthian in the Oedipus Tyrannus, Menelaus in the Ajax, the pretended Shipmaster in the Philoctetes, afford the same sort of contrast to the more tragic personages: and the superstition of the Coloniatae may be compared with the cowardice of the Phrygian slave in the Orestes of Euripides.
223-330.
mvp-comment-136-2
The vulgarity of the common-place Athenian of the fifth century в.с. takes the form of misplaced subtlety of wit. Cp.
Shak. Hamlet, 5. 1
,
We must speak by the card, or equivocation will undo us. The age is grown so picked, that the toe of the peasant comes so near the heel of the courtier, he galls his kibe.
308-311. mvp-comment-181-1 οὐχ ὑμὶν ῞Αιδης.. ἁρπάζητε] Death shall not alone suffice for you, but first you shall be hung up alive to show the heinousness of this offence, that for the future, in your wrongful gettings, you may know better where to look for gain. See Essay on Language § 37. p. 64. There is a confusion of two constructions: (1) οὐχ ὑμὶν ῞Αιδης ἀρκέσει, τo which μοῦνος is added for emphasis, i. e. οὐ θανεῖσθε μόνον: and (2) οὐ θανεῖσθε πρίν, κ.τ.λ. Cp. 1064 ff., and see Aj. 106 ff., θανεῖν γὰρ αὐτὸν οὐτί πω θέλω, κ.τ.λ. The Φύλαξ is to take this message to his fellows.