ἀκτὶς ἀελίοιο, κἀλ-
100
Antigone. Sophocles. Berlin. 1806.
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Current edition Experimental
Greek (F. H. Bothe, 1806) (OCR draft) (Greek) (Greek (F. H. Bothe, 1806))
Provisional text from uncorrected OCR; expect errors.
Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 100 focus
ἀκτὶς
1
ἀελίου, τὸ κάλ-
100
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 100 focus
ἀκτὶς ἀελίου, τὸ κάλ-
100
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 100 focus
ἀκτὶς ἀελίου, τὸ κάλλιστον ἑπταπύλῳ φανὲν
100
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 100 focus
ἀκτὶς ἀελίου, τὸ κάλ-
100
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 100.mvp-line-100 focus
ἀκτὶς ἀελίου, τὸ κάλ-
100
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 100 focus
ἀκτὶς ἀελίου, τὸ κάλ-
100
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 100 focus
ἀκτὶς ἀελίου, τὸ κάλ-
100
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 100 focus
ἀκτὶς ἀελίου, τὸ κάλλιστον ἑπταπύλῳ φανὲν
1
100
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 100.mvp-line-100 focus
ἀκτὶς ἀελίου, τὸ κάλ-
100
Antigone (OCR draft) Experimental (Antigone) — 100 focus
ἀκτὶς ἀελίου, τὸ κάλλιστον ἑπταπύλῳ φανὲν
100
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 100 focus
ἀκτὶς ἀελίου, τὸ κάλ-
100
Translations (11)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 100 focus
ANTIGONE
Nicht Knecht ja, sondern Bruder ihm, fand er den Tod.
Nicht Knecht ja, sondern Bruder ihm, fand er den Tod.
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 100 focus
CORO
526
Ya en la puerta tienes a Ismena derramando lágrimas de amor por su hermana; la nube de dolor que le oprime los ojos ensombrece su encendida cara, bañándole las hermosas mejillas.
526
Ya en la puerta tienes a Ismena derramando lágrimas de amor por su hermana; la nube de dolor que le oprime los ojos ensombrece su encendida cara, bañándole las hermosas mejillas.
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 100 focus
Chorus
526
Sed ecce pro foribus Ismena, sororis ob desiderium fundens lacrimas, nube vero frontem obducta, amabilem deformat vultum, venustas irrigans genas.
526
Sed ecce pro foribus Ismena, sororis ob desiderium fundens lacrimas, nube vero frontem obducta, amabilem deformat vultum, venustas irrigans genas.
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 100 focus
CH
526
Now comes Ismenè forth. Ah, see,
From clouds above her brow
The sister-loving tear
Is falling wet on her fair cheek,
Distaining all her passion-crimson’d face!
530
Now comes Ismenè forth. Ah, see,
From clouds above her brow
The sister-loving tear
Is falling wet on her fair cheek,
Distaining all her passion-crimson’d face!
530
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 100 focus
Strahl des Helios, schönstes Licht,
1
100
Das der siebenthorigen Stadt
Thebe's nimmer zuvor erschien!
Du strahlst endlich, des gold'nen Tags
Aufblick, herrlich herauf,
Ueber Dirke's Fluten herüberwandelnd;
2
105
Und Ihn, der mit leuchtendem Schild
Kam von Argos in voller Wehr,
Triebest du flüchtig in eilendem Lauf
Fort mit hastigem Zügel:
Strahl des Helios, schönstes Licht,
1
100
Das der siebenthorigen Stadt
Thebe's nimmer zuvor erschien!
Du strahlst endlich, des gold'nen Tags
Aufblick, herrlich herauf,
Ueber Dirke's Fluten herüberwandelnd;
2
105
Und Ihn, der mit leuchtendem Schild
Kam von Argos in voller Wehr,
Triebest du flüchtig in eilendem Lauf
Fort mit hastigem Zügel:
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 100 focus
Ismene
I do acknowledge it, if she permit me ;
540
I w^as accomplice, and the crime was mine.
I do acknowledge it, if she permit me ;
540
I w^as accomplice, and the crime was mine.
Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 100 focus
ANTÍGONA
Plutón, sin embargo, pide iguales ritos para todos.
Plutón, sin embargo, pide iguales ritos para todos.
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 100 focus
KREON
Ja! du! die du drin hokst, daheim, wie Schlangen,
Geborgen und mich aussaugst! hat nicht einer mir
Berichtet, dafsich zwei Einbildungen hab’anmir
Und Feinde des Throns? geh, sage, hast du mitgemacht
555
Am Grabe, oder hast du’s mit der Unschuld?
Ja! du! die du drin hokst, daheim, wie Schlangen,
Geborgen und mich aussaugst! hat nicht einer mir
Berichtet, dafsich zwei Einbildungen hab’anmir
Und Feinde des Throns? geh, sage, hast du mitgemacht
555
Am Grabe, oder hast du’s mit der Unschuld?
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 100 focus
Chorus
526
Lo, yonder Ismene comes forth, shedding such tears as fond sisters weep; a cloud upon her brow casts
530
its shadow over her darkly-flushing face, and breaks in rain on her fair cheek.
526
Lo, yonder Ismene comes forth, shedding such tears as fond sisters weep; a cloud upon her brow casts
530
its shadow over her darkly-flushing face, and breaks in rain on her fair cheek.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 100 focus
Haemon
To lord it o'er his rulers, shall from me T
To lord it o'er his rulers, shall from me T
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 100-160 focus
Enter the Chorus on the right.
110
Chorus
Shaft of the sun, fairest light of all that have dawned on
Thebes
of the seven gates, you have shone forth at last, eye of golden day, advancing over Dirce’s streams!
100
You have goaded with a sharper bit the warrior of the white shield, who came from
Argos
in full armor, driving him to headlong retreat.
105
Shaft of the sun, fairest light of all that have dawned on
Thebes
of the seven gates, you have shone forth at last, eye of golden day, advancing over Dirce’s streams!
100
You have goaded with a sharper bit the warrior of the white shield, who came from
Argos
in full armor, driving him to headlong retreat.
105
Chorus
He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing,
110
with a mass of weapons and crested helmets.
115
He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing,
110
with a mass of weapons and crested helmets.
115
Chorus
He paused above our dwellings; he gaped around our sevenfold portals with spears thirsting for blood; but he left
before his jaws were ever glutted with our gore, or before the Fire-god’s pine-fed flame had seized our crown of towers.
120
So fierce was the crash of battle swelling about his back, a match too hard to win for the rival of the dragon.
125
He paused above our dwellings; he gaped around our sevenfold portals with spears thirsting for blood; but he left
before his jaws were ever glutted with our gore, or before the Fire-god’s pine-fed flame had seized our crown of towers.
120
So fierce was the crash of battle swelling about his back, a match too hard to win for the rival of the dragon.
125
Chorus
For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood,
arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts.
130
For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood,
arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts.
130
Chorus
Staggered, he fell to the earth with a crash,
torch in hand, a man possessed by the frenzy of the mad attack, who just now was raging against us with the blasts of his tempestuous hate. But his threats did not fare as he had hoped, and to the other enemies mighty Ares dispensed each their own dooms with hard blows,
135
Ares, our mighty ally at the turning-point.
140
Staggered, he fell to the earth with a crash,
torch in hand, a man possessed by the frenzy of the mad attack, who just now was raging against us with the blasts of his tempestuous hate. But his threats did not fare as he had hoped, and to the other enemies mighty Ares dispensed each their own dooms with hard blows,
135
Ares, our mighty ally at the turning-point.
140
Chorus
For the seven captains, stationed against an equal number at the seven gates, left behind their brazen arms in tribute to Zeus the turner of battle—all but the accursed pair who, born of one father and one
mother, set against each other their spears, both victorious, and who now share in a common death.
145
For the seven captains, stationed against an equal number at the seven gates, left behind their brazen arms in tribute to Zeus the turner of battle—all but the accursed pair who, born of one father and one
mother, set against each other their spears, both victorious, and who now share in a common death.
145
Chorus
But since Victory whose name is glory has come to us, smiling in joy equal to the joy of chariot-rich
Thebes
,
let us make for ourselves forgetfulness after the recent wars, and visit all the temples of the gods with night-long dance and song. And may Bacchus, who shakes the earth of
Thebes
, rule our dancing!
150
But since Victory whose name is glory has come to us, smiling in joy equal to the joy of chariot-rich
Thebes
,
let us make for ourselves forgetfulness after the recent wars, and visit all the temples of the gods with night-long dance and song. And may Bacchus, who shakes the earth of
Thebes
, rule our dancing!
150
Chorus
But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion,
155
that he has proposed this special conference of elders, and summoned it by a general mandate?
160
But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion,
155
that he has proposed this special conference of elders, and summoned it by a general mandate?
160