ANTIGONA
¿Quién sabe si allí bajo estas mis obras son santas?
¿Quién sabe si allí bajo estas mis obras son santas?
Antigone. Sófocles. Madrid. 1921.
Sponsored by Perseus Digital Library.
Table of Contents
Search the Perseus Catalog for:
Search the Perseus Catalog for:
Current edition Experimental
Spanish (J. A. Bolufer, 1921) (OCR draft) (Spanish) (Spanish (J. A. Bolufer, 1921))
Provisional text from uncorrected OCR; expect errors.
Editions (12)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 96 focus
παθεῖν τὸ δεινὸν τοῦτο·
πείσομαι γὰρ οὐ
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 96 focus
παθεῖν τὸ δεινὸν τοῦτο. πείσομαι γὰρ οὐ
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 96 focus
παθεῖν τὸ δεινὸν τοῦτο·
πείσομαι γὰρ οὐ
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 96 focus
παθεῖν τὸ δεινὸν τοῦτο· πείσομαι γὰρ οὐ
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 96 focus
παθεῖν τὸ δεινὸν τοῦτο· πείσομαι γὰρ οὐ
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 96.mvp-line-96 focus
παθεῖν τὸ δεινὸν τοῦτο· πείσομαι γὰρ οὐ
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 96 focus
παθεῖν τὸ δεινὸν τοῦτο πείσομαι γὰρ οὐ
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 96 focus
παθεῖν τὸ δεινὸν τοῦτο. πείσομαι γὰρ οὐ
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 96 focus
παθεῖν τὸ δεινὸν τοῦτο·
πείσομαι γὰρ οὐ
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 96.mvp-line-96 focus
παθεῖν τὸ δεινὸν τοῦτο· πείσομαι γὰρ οὐ
Antigone (OCR draft) Experimental (Antigone) — 96 focus
παθεῖν τὸ δεινὸν τοῦτο· πείσομαι γὰρ οὐ
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 96 focus
παθεῖν τὸ δεινὸν τοῦτο· πείσομαι γὰρ οὐ
Translations (10)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 96 focus
ANTIGONE
Ja, Bruder von der Mutter und vom Vater her.
500
Ja, Bruder von der Mutter und vom Vater her.
500
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 96 focus
Antigone
Quis novit, an apud inferos haec sint pia?
Quis novit, an apud inferos haec sint pia?
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 96 focus
ANT
Both may be equal yonder; who can tell?
Both may be equal yonder; who can tell?
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 100 focus
Strahl des Helios, schönstes Licht,
1
100
Das der siebenthorigen Stadt
Thebe's nimmer zuvor erschien!
Du strahlst endlich, des gold'nen Tags
Aufblick, herrlich herauf,
Ueber Dirke's Fluten herüberwandelnd;
2
105
Und Ihn, der mit leuchtendem Schild
Kam von Argos in voller Wehr,
Triebest du flüchtig in eilendem Lauf
Fort mit hastigem Zügel:
Strahl des Helios, schönstes Licht,
1
100
Das der siebenthorigen Stadt
Thebe's nimmer zuvor erschien!
Du strahlst endlich, des gold'nen Tags
Aufblick, herrlich herauf,
Ueber Dirke's Fluten herüberwandelnd;
2
105
Und Ihn, der mit leuchtendem Schild
Kam von Argos in voller Wehr,
Triebest du flüchtig in eilendem Lauf
Fort mit hastigem Zügel:
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 96 focus
Antigone
My love shall go with thine, but not my hate.
My love shall go with thine, but not my hate.
Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 96 focus
ANTÍGONA
No lo afirmaría así el que yace en la tumba.
No lo afirmaría así el que yace en la tumba.
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 96 focus
KREON
Nie ist der Feind, auch wenn er todt ist, Freund.
Nie ist der Feind, auch wenn er todt ist, Freund.
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 96 focus
Antigone
Who knows but this seems blameless in the world below?
Who knows but this seems blameless in the world below?
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 96 focus
Haemon
With added reason. For in private life
735
With added reason. For in private life
735
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 100-160 focus
Enter the Chorus on the right.
110
Chorus
Shaft of the sun, fairest light of all that have dawned on
Thebes
of the seven gates, you have shone forth at last, eye of golden day, advancing over Dirce’s streams!
100
You have goaded with a sharper bit the warrior of the white shield, who came from
Argos
in full armor, driving him to headlong retreat.
105
Shaft of the sun, fairest light of all that have dawned on
Thebes
of the seven gates, you have shone forth at last, eye of golden day, advancing over Dirce’s streams!
100
You have goaded with a sharper bit the warrior of the white shield, who came from
Argos
in full armor, driving him to headlong retreat.
105
Chorus
He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing,
110
with a mass of weapons and crested helmets.
115
He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing,
110
with a mass of weapons and crested helmets.
115
Chorus
He paused above our dwellings; he gaped around our sevenfold portals with spears thirsting for blood; but he left
before his jaws were ever glutted with our gore, or before the Fire-god’s pine-fed flame had seized our crown of towers.
120
So fierce was the crash of battle swelling about his back, a match too hard to win for the rival of the dragon.
125
He paused above our dwellings; he gaped around our sevenfold portals with spears thirsting for blood; but he left
before his jaws were ever glutted with our gore, or before the Fire-god’s pine-fed flame had seized our crown of towers.
120
So fierce was the crash of battle swelling about his back, a match too hard to win for the rival of the dragon.
125
Chorus
For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood,
arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts.
130
For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood,
arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts.
130
Chorus
Staggered, he fell to the earth with a crash,
torch in hand, a man possessed by the frenzy of the mad attack, who just now was raging against us with the blasts of his tempestuous hate. But his threats did not fare as he had hoped, and to the other enemies mighty Ares dispensed each their own dooms with hard blows,
135
Ares, our mighty ally at the turning-point.
140
Staggered, he fell to the earth with a crash,
torch in hand, a man possessed by the frenzy of the mad attack, who just now was raging against us with the blasts of his tempestuous hate. But his threats did not fare as he had hoped, and to the other enemies mighty Ares dispensed each their own dooms with hard blows,
135
Ares, our mighty ally at the turning-point.
140
Chorus
For the seven captains, stationed against an equal number at the seven gates, left behind their brazen arms in tribute to Zeus the turner of battle—all but the accursed pair who, born of one father and one
mother, set against each other their spears, both victorious, and who now share in a common death.
145
For the seven captains, stationed against an equal number at the seven gates, left behind their brazen arms in tribute to Zeus the turner of battle—all but the accursed pair who, born of one father and one
mother, set against each other their spears, both victorious, and who now share in a common death.
145
Chorus
But since Victory whose name is glory has come to us, smiling in joy equal to the joy of chariot-rich
Thebes
,
let us make for ourselves forgetfulness after the recent wars, and visit all the temples of the gods with night-long dance and song. And may Bacchus, who shakes the earth of
Thebes
, rule our dancing!
150
But since Victory whose name is glory has come to us, smiling in joy equal to the joy of chariot-rich
Thebes
,
let us make for ourselves forgetfulness after the recent wars, and visit all the temples of the gods with night-long dance and song. And may Bacchus, who shakes the earth of
Thebes
, rule our dancing!
150
Chorus
But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion,
155
that he has proposed this special conference of elders, and summoned it by a general mandate?
160
But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion,
155
that he has proposed this special conference of elders, and summoned it by a general mandate?
160
Commentary
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
96. mvp-comment-61-1 πείσομαι γὰρ οὐ The reading οὐ, for which some critics would substitute οὖν, is confirmed (1) by the tendency to a vehement accumulation of negatives in the speeches of Antigone in this scene: (2) by the similar emphatic inversions noticed in the Essay on Language § 41. p. 78.