843.
mvp-comment-485-1
πολυκτήμονες Thebes was proverbially a wealthy city.
844.
mvp-comment-486-1
ἰώ Here she breaks into a louder cry.
845.
mvp-comment-487-1
ἄλσος The open ground about the city. Cp. Εl. 5, τῆς οἰστροπλῆγος ἄλσος Ἰνάχου κόρης.
847.
mvp-comment-488-1
οἷα, like ὀμοιοτάταν in 832, and λυγροτάταν in 823, is supplementary predicate, and equivalent to an adverb.
851.
mvp-comment-489-1
Hermann (ed. 1839) was contented to read οὔτε βροτοῖσιν οὔτ᾽ ἐν νεκροῖσιν, but remarked that the long anacrusis of the second part of the line, οὔτ᾽ ἐν νεκροῖσιν = γάμων κυρήσας is very rare. Qu βροτοῖς, οὔτε τις ἐν νεκροίσιν? But the original line is probably lost.
852.
mvp-comment-490-1
Advancing to the utmost verge of daring thou didst fall violently, my daughter, against the lofty throne of Right. ἐκτίνεισ Α.
854.
mvp-comment-491-1
βάθρον is here the pedestal on which the image of justice is imagined to rest. Cp. Plat. Phaedr. 254 B, ἰδόντος δὲ τοῦ ἡνιόχου ἡ μνήμη πρὸς τὴν τοῦ κάλλους φύσιν ἠνέχθη. καὶ πάλιν εἶδεν αὐτὴν μετὰ σωφροσύνης ἐν ἁγνῷ βάθρῳ βεβῶσαν, Ο. Τ. 865, νόμοι. . ὑψίποδες.
855.
mvp-comment-492-1
πολύ is allowed to pass by Hermann without comment, but has been more recently called in question, partly on the metrical ground that the line should end with a long syllable.
855.
mvp-comment-492-2
πολύς is certainly no improvement. On the attempt to give special force to such a general word, see Essay on Language § 51. p. 97.
856.
mvp-comment-493-1
But thou art paying some debt of expiation inherited from thy sire.' άθλος is here a task or burden imposed by some higher power, like the labours of Heracles, and is perhaps associated by Sophocles with the derivative ἄθλιος. The combined metaphorical use of ἆθλος and ἐκτίνειν is not too great a stretch of language for Sophocles. Essay on Language p. 105.
857.
mvp-comment-494-1
Thou hast touched my saddest thought, the thrice-told tale of my father's sorrow.' Boeckh has cleared up the difficulties of this passage (1) by showing that οἶκτον harmonizes better with the context than οἶτον or οἶκον, and also gives a construction to πότμου: (2) by tracing the derivation of τριπόλιστον from πολίζω = πολέω, which occurs in the compound avναπολίζω : (3) by rightly explaining the dative Λαβδακίδαισιν. See Essay on Language § 13. p. 19. He also points out that μερίμνας is genitive, because the singular is more forcible, and μέριμναν would have suited the metre equally well. The only remaining doubt is the construction of οἶκτον.
857.
mvp-comment-494-2
ψαύειν may govern the accusative, as appears from 961. But the change from the genitive to the accusative is still to be accounted for. (1) The word ἔψαυσας was chosen with special reference to μερίμνας. ἔλεξας, or some other general word, would have been sufficient if this had not intervened. Hence the general meaning of the verb (= ἔλεξας) is alone continued. (2) The case is partly governed by the verbal notion in μερίμνας = 8 μεριμνῶ. (3) The tendency of a Greek sentence is to pass from a more special to a more general construction. Essay on Language pp. 64, 5, οἶκτον is to be resumed with πότμου, which is co-ordinate with πατρός.
Thou hast harped on what my mind broods over with saddest care, the thrice renewed pity for my father, and for the general fortune of our race, the lot that fell upon the famed Labdacidae. Seyffert thinks that in τριπόλιστον Antigone is thinking of her own ever-deepening grief. But the Scholiast and Boeckh are probably right in explaining the word (like κλεινοῖς) with reference to the widely felt compassion for Oedipus. Cp. O. C. 517, τό τοι πολὺ καὶ μηδαμὰ λῆγον: ib. 597, πᾶς τοῦτό γ' Ἑλλήνων θροεῖ. For τριπόλιστον, cp. Phil. 1238, δὶς ταὐτὰ βούλει καὶ τρὶς ἀναπολεῖν μ' ἔπη.
861.
mvp-comment-495-1
κλεινοῖς is said with bitterness, as in O. T. 1207, κλεινὸν Οἰδίπου κάρα. The dative is used in explanation of ἁμετέρου, Ist as clearer than the genitive with so many genitives preceding; 2nd with an ethical' force;
the lot that fell on us. 863. O my mother, to whom marriage was calamity, O my hapless father, who in wedlock with a mother, held guilty intercourse with her from whom he came.' ματρῷαι λέκτρων ἆται] ‘My mother's calamity in marriage.' λέκτρων is descriptive or distinctive genitive (Essay on Language § 9. p. 12), and the possessive ματρῷαι is joined to λέκτρων ἆται taken as one word. In observing Antigone's tenderness for her mother we are reminded that the plot of the Oedipus Tyrannus was not yet conceived.
865.
mvp-comment-496-1
ματρός is objective genitive, after κοιμήματα = ξυνουσίαι, and also descriptive, like γάμοι τέκνων, Ο. C. 945. For the condensed expression κοιμήματά τ᾿ αὐτογέννητ᾽ = τὸ κοιμηθῆναι σὺν ταύτῃ ἐξ ἧς αὐτὸς ἐγεννήθη, see Essay on Language § 43. p. 81, and for the force of αὐτός in composition, ibid. p. 101. The dative ἐμῷ πατρί (Ε. on L. § 13. p. 19, see on l. 861) is occasioned by the adjective; i. e. αὐτογέννητ᾽ ἦν αὐτῷ τὰ κοιμήματα. The nature of constructions in such condensed expressions can only be explained by expanding each phrase into a sentence. The meaning of the passive verbal termination in αὐτογέννητα is extremely indefinite. The other way of taking the words ('Connubium dicit Jocastae cum Oedipo quem ipsa pepererat,' Dind.), although giving a more obvious construction to the dative, has the fatal blemish of making a twofold apostrophe to Jocasta, whereas οἵων implies a reference to both parents, which is much more forcible.
865.
mvp-comment-496-2
The Laur. reading δυσμόρῳ is preferable, because of the peculiar significance of κοιμήματα ματρός.
866.
mvp-comment-497-1
οἴων is to be immediately referred to κοιμήματα,
Such wedlock as gave me birth.
868.
mvp-comment-498-1
μέτοικος may possibly have the association of an alien,' because she could not expect to meet with proper burial. But for the generalised meaning of μέτοικος, cp. supr. 852: О. С. 934: infr. 890, μετοικίας.
872-875.
mvp-comment-499-1
There is some piety in pious action; but, as towards him who wieldeth it, authority must in no wise be transgressed. A self-determined impulse hath undone thee.' Cp. Phil. 138, τέχνα γὰρ τέχνας ἑτέρας προὔχει | καὶ γνώμα παρ' ὅτῳ τὸ θεῖον | Διὸς σκῆπτρον ἀνάσσεται, where there is a similar ellipse of the antecedent. The meaning is,
He who has authority must not suffer authority to be thwarted. This may be made clearer by supplying ἐκείνῳ, as dative of the person interested, for the antecedent to ὅτῳ.
He must not have it (i.e. suffer it to be) transgressed.
