Sophocles Antigone 571

ἦ γὰρ στερήσεις τῆσδε τὸν σαυτοῦ γόνον ;

Antigone. Sophocles. Paris, France. 1858.

Sponsored by Perseus Project, Tufts University.

Funding provided by Tufts University.

Current edition Experimental

Greek (L. Benloew, 1858) (OCR draft) (Greek) (Greek (L. Benloew, 1858))

Provisional text from uncorrected OCR; expect errors.

Editions (11)
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 571 focus
οὐδὲν ἐλλείπει γενεᾶς ἐπὶ πλῆθος ἕρπον·
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 571 focus
κομίζετ᾽ εἴσω, δμῶες! ἐκ δὲ τοῦδε χρὴ
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 571 focus
κακὰς ἐγὼ γυναῖκας υἱέσι στυγῶ.
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 571 focus
κακὰς ἐγὼ γυναῖκας υἱέσι στυγῶ.
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 571.mvp-line-568 focus
κακὰς ἐγὼ γυναῖκας υἱέσι στυγῶ.
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 571 focus
κακὰς ἐγὼ γυναῖκας υἱέσι στυγῶ.
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 571 focus
Ἅιδης ὁ παύσων τούσδε τοὺς γάμους ἔφυ.
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 571 focus
κακὰς ἐγὼ γυναῖκας υἱέσι στυγῶ.
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 571.mvp-line-568 focus
κακὰς ἐγὼ γυναῖκας υἱέσι στυγῶ.
Antigone (OCR draft) Experimental (Antigone) — 571 focus
κακὰς ἐγὼ γυναῖκας υἱέσι στυγῶ.
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 571 focus
κακὰς ἐγὼ γυναῖκας υἱέσιν στυγῶ.
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 583 focus
Ihr Seligen, deren Geschick kein Leid gekostet!
580
Wem sein Wohnhaus Götter erschütterten, niemals
Läßt der Fluch ihn, fort von Geschlecht zu Geschlecht sich wälzend:
Gleichwie das aufgeschwoll'ne Meer,
Wann, vom Thrakersturm erregt,
Es mächtig in die düstere Tiefe hinab sich wälzt,
585
Vom Abgrund auf den schwarzen Meersand
Wühlt und dumpf im stöhnenden
Orkan die flutgeschlag'nen Ufer tosen.
Erste Gegenstrophe.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 583-630 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-177-1 ὑπερτάταν 1

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

332-383. mvp-comment-190-1 Most wonderful of wondrous things is man, Who traverses the surging brine, And wearies mighty earth with yearly furrow. His craft ensnares the finny produce of the seas And taketh captive beast and bird. He compasseth a way to master the monster of the wilds, And brings under his yoke the horse with flowing mane And the never-wearied mountain bull. Selftaught in speech and thought and civil ways, And in providing shelter from the cold and rain, There is no end to his devices. Nothing but death ever finds him unprepared. Even diseases, not to be avoided, are escaped by him. Inventive beyond hope, he moveth now to evil, and again to good. When weaving with his wit the law of justice and piety He is exalted in the city, but outcast when he harbours wickedness for deeds of crime. May I never live with such an one, and may he never share my counsels. 332. Aesch. Cho. 585, πολλὰ μὲν γὰ τρέφει δεινὰ δειμάτων ἄχη,.. ἀλλ᾽ ὑπέρτολμον ἀνδρὸς φρόνημα τίς λέγοι; Troch. Iamb. Troch.

332-383. mvp-comment-190-2 δεινά = ' wonderful,' or mighty, is in transition from the earlier sense of fearful to the later sense of clever. Cp.

332-383. mvp-comment-190-3 ὀλοόφρων.

338. mvp-comment-194-1 ὑπερτάταν Supreme, as eldest and mother ofall. Solon, Fr. 36. 3, μεγίστη δαιμόνων Ὀλυμπίων | Γῆ. Cр. О. Т. 660, where the primacy for the occasion is similarly given to the sun. Schneidewin remarks that the assonance ἄφθιτον, ἀκαμάταν ἀποτρύεται, .. ἀρότρων helps to express the persistent industry of man. This ode is full of assonance and alliteration, and of correspondences such as ἀνεμόεν, μαχανόεν-παντόπορος, ἄπορος -ὑψίπολις, ἄπολις.