Sophocles Trachiniae 29

Robert Potter (Translator)

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Deianira
LICHAS, DEIANIRA, CHORUS. 225
Herald, to joy I welcome thee, though late
Be thy arrival, if thou bring'st me joy.

Trachiniae. Sophocles. Robert Potter (Translator). London. 1820.

Current edition Experimental

English (Robert Potter, 1788) (OCR draft) (English) (English (Robert Potter, 1788))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 29 focus
κείνου προκηραίνουσα προκειραίνουσα. νὺξ γὰρ εἰσάγει,
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-93 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 29 focus
DÊ
225
Think not mine eye hath kept such careless guard,
Dear maids, that I could miss this moving train.
Herald, I bid thee hail, although so late
225
Appearing, if thou bringest health with thee!
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 49 focus
O Deianeira, Fürstin, oft gewahrt' ich schon,
Wie du betrübt in thränenreiche Klagen dich
50
Ergossest, daß Herakles ausgezogen sei.
Doch heute, wenn's der Sklavin schlichtem Sinn geziemt,
Dem freien Weib zu rathen, gönn' auch mir ein Wort.
Du bist an soviel Söhnen reich: was sendest du 1
Nicht ihrer Einen, auszuspäh'n des Mannes Spur?
55
Zumal dem Hyllos ziemte das, vertrau'n wir ihm,
Daß ihn um seines Vaters Wohl die Sorge treibt.
Da kommt er eben leichten Schritt's zum Haus heran,
Daß, wenn dir meine Rede nicht unzeitig dünkt,
Du seinen Beistand nüzen kannst und meinen Rath.
60
Hyllos. Die Vorigen.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 29 focus
Deianira
O thou who dwellst on (Eta's sacred top.
200
Immortal Jove ! At length, though late, thou giv'.st
200
The wished-for boon. Let every female now —
200
You that within the palace do reside,
200
And you, my followers here — with shouts proclaim
200
The blest event ! For, lo ! a beam of joy,
200
I little hoped, breaks forth, and we are happy.
200
Quick let sounds of mirth and joy
200
Every cheerful hour employ ;
200
Haste, and join the festive song,
200
You, who lead the youthful throng,
200
On whom the smiles of prosperous fate,
200
And Hymen's promised pleasures wait,
200
Now all your lo Paeans sing
200
To Phoebus, 3'our protector and your lung.
200
And you, ye virgin train, attend,
200
Not unmindful of your friend,
200
His sister huntress of the gi'oves.
200
Who still her native Delos loves —
200
Prepare the dance, and choral lays,
200
To hymn the chaste Diana's praise ;
200
To her, and her attendant choir
200
Of mountain-nymphs, attune the votive lyre.
200
Ejyode,
200
Already hath the god possessed
200
My soul, and rules the sovereign of my breast ;
200
Evoe, Bacchus I lo ! I come to join
200
Thy throng. Around me doth the thyrsus twine
200
And I am filled with rage divine ;
200
See ! the glad messenger appean?
200
To calm thy doubts, and to remove thy fears
200
Let us our lo Pseans sing
200
To Phoebus, our protector and our king.
200
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-92 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-116-1 τάδ’ 1

mvp-comment-116-2 ἐναργῆ 2 ἀντίπρῳρα 3

mvp-comment-117-1 οὐδέ μ’ ὄμματος φρουρὰν παρῇλθε 4 παρῆλθε 5 φρουρὰ 6

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

205-224. mvp-comment-159-1 The Chorus in response to Deianira raise this strain, accompanied, at least in the latter part of it (216 foll.), with dancing, or some rapid motion to and fro. Cp. Aj. 693-717, О. Т. 1086–1109, Ant. 1115-1152, for similar expressions of hope before some catastrophe. See also O. C. 1044 foll., El. 1384-1397. The maidens who are come to visit Deianira (1) challenge the maidens within the house to shout for joy, and (2) invite the young men to accompany them; (3) they encourage each other to raise the hymn to Artemis, (4) they dance under the excitement of the flute and the thyrsus, (5) they call attention to the coming of Lichas with the captives. These quick changes mark the feeling of trepidation which the situation is calculated to produce.

222. mvp-comment-170-1 ἰὼ, ἰὼ Παιάν] The Chorus are just leading up the Paean, which from its monotony could not have been continued with dramatic effect, when Lichas arrives, and they break off. The correction of the text is due to Dindorf, who also reads γυναικῶν. But there is no reason to assume that the three lines must be alike. The iambic tripody with a pause makes a good transition to the other form, CICIC!!. (Qy. ἰδέ· | ἴδ᾽ ὦ φ. γ.?)

223-224. mvp-comment-171-1 τάδ' .. ἐναργῆ] ‘Here is the thing face to face, present and palpable to sight.' ἐναργῆ] 'Beyond the possibility of mistake.'