mvp-comment-655-1
καλῶς τελευτᾷς
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κἀπὶ τοῖσδε
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πρὶν ἐμπεσεῖν
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σπαραγμὸν
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οἶστρον
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mvp-comment-656-1
ἄγ’
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ἐγκονεῖτ’
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αὕτη
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τελευτὴ … ὑστάτη
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ἀλλ’
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οὐδὲν εἴργει
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τελειοῦσθαι
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ἐπεὶ κελεύεις
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mvp-comment-658-1
As Hyllus spoke the last two verses, he gave a sign to the bearers (964) to come forward and resume their places beside the litter. These five anapaestic lines are spoken by Heracles while that order is being obeyed. Then the words of Hyllus,
αἴρετ’, ὀπαδοί
(1264), mark that the procession is about to move.
mvp-comment-658-2
ἄγε νυν
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mvp-comment-659-1
πρὶν ἀνακινῆσαι τήνδε νόσον
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mvp-comment-659-2
Other views are:—(1)
ἀνακινῆσαι
is intrans., ‘be roused.’ But this use is unexampled, and cannot safely be inferred from the intrans.
ὑποκινεῖν
(
Her.5. 106
, etc.), or
παρακινεῖν
as=
παρακόπτειν, παραπαίειν
,
delirare. (2) The subject to the inf. is
νόσον
, and the object is
σε
understood. But
ἀνακινῆσαι
clearly refers to rousing the pain, not to troubling the mind:
cp. 974
μὴ κινήσῃς...ὀδύναν
: 979
κἀκκινήσεις...νόσον
.
mvp-comment-659-3
ὦ ψυχὴ σκληρά
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χάλυβος λιθοκόλλητον στόμιον
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I take the words in a way different from any of these.
χάλυβος στόμιον
, the ‘curb of steel,’ is, as all agree, the strong selfrestraint which is to keep the lips
closed. Then
λιθοκόλλητον
introduces a new image. The lips, thus firmly closed, are
set as stone to stone in masonry. Thus the whole phrase means ‘A curb of steel, to keep the lips set as stone to stone.’ The use of
λιθοκόλλητον
to describe the
effect of the ‘curb’ has been assisted by the suggestion, in
στόμιον
, of
στόμα
.
mvp-comment-659-6
ἀνάπαυε βοήν
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ὡς
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τελέους’
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ἐπίχαρτον
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