863ff.
mvp-comment-636-1
The proscenium has been vacant since the exit (severally) of Deianira and Hyllus. A sound of wailing is now heard from within.
863.
mvp-comment-637-1
μάταιος] 'Silly,' i, e. 'Alarmed without cause. For the masc. form, cp. supr. l. 151, and note.
864.
mvp-comment-638-1
οἴκτου) «Cry of sorrow. Cp. Αj. 895, οἴκτῳ τῷδε συγκεκραμένην, and for ὑρμασμένου, Springing forth, ib. 892, βοὴ . . ἐξέβη κάπους.
865.
mvp-comment-639-1
τί φημί What is this?' For this expression and for the broken line here and in l. 868, cp. O. T. 1471. The three couplets are probably spoken by different members of the Chorus.
866.
mvp-comment-640-1
οὐκ ἄσημον «A sound of wailing that is not ambiguous but full of sorrow. Cp. O. C. 1501, Ant. 1209. The conjectural reading, οὐκ εύσημον, ἀλλὰ δυστυχῆ, introduces a false and meaningless antithesis.
867.
mvp-comment-641-1
τι καινίζει i.e. καινόν τι έχει.
869.
mvp-comment-642-1
ἀήθης] This has been unnecessarily changed to ἀηδής, which should rather mean 'sullen' than 'sad,' and at all events expresses the same thing with συνοφρυωμένη. «Strange, 'Unlike herself,' is a meaning which aptly suits the place, and is properly made more definite by the addition of καὶ συνωφρυωμένη.
870.
mvp-comment-643-1
σημαίνουσα] Declaring. The correction σημανοῦσα, “Το declare,' is possibly right; but the present tense may suitably call attention to the gestures of the Τροφός, before she speaks.
871.
mvp-comment-644-1
οὐ σμικρών] That the gift has caused evil is already known, the extent of the evil to the house at Trachis is only now revealed.
872.
mvp-comment-645-1
Ἡρακλεῖ τὸ πόμπιμον] The adj. is added to explain τὸ δῶρον, because the dative alone would have been an imperfect construction with δῶρον. For the passive meaning of πόμπιμον (which recalls the mission of Lichas, supr. ll. 600 foll.), cp. esp. supr. 822, О. С. 487, τὸν ἱκέτην σωτήριον.
873.
mvp-comment-646-1
καινοποιηθέν] Freshly wrought,' i.e. since the news of Heracles' agony were brought by Hyllus.
875.
mvp-comment-647-1
ἐξ ἀκινήτου ποδός] «Without stirring foot. Cp. the figurative language of the Watchman in the Antigone, 317, etc.
876.
mvp-comment-648-1
οὐ δή ποθ᾿ ὡς θανοῦσα (sc. βέβηκε)] 'You cannot mean the way of death! Cp. supr. 668, and note. πάντ᾿ ἀκήκοας] She insists that her first words have told them all; but the Chorus, with the eagerness of sorrow, demand a more explicit statement. Cp. Εl. 676, θανόντ᾽ Ορέστην νῦν τε καὶ πάλαι λέγω.
878.
mvp-comment-649-1
τάλαιν᾿ ὀλεθρία] ‘Poor ruined one!' ὀλέθριος implies guilt added to calamity. Cp. Ο. Τ. 1341, τὸν μέγ᾿ ὀλέθριον, according to one reading. The resolved feet mark the trepidation of the speaker.
879.
mvp-comment-650-1
σχετλιώτατα + πρός γε πρᾶξιν] Most ruthlessly, as for the execution; i. e. Whatever else the deed was, it was cruelly determined. Cp. infr. 923-931. The anapaest in the second place is hardly possible even in a passage where the usual rules of the senarius are otherwise relaxed. A possible correction would be to substitute és for πρός.
879.
mvp-comment-650-2
A certain approach to an antistrophic structure appears in the near correspondence of ll. 10, 18; 13, 15; 1, 2, 11, 12; 9. 16. εἰπὲ τῷ μόρφ] The Chorus still press the old woman, who is too horror-stricken to speak clearly, to be more explicit.
880.
mvp-comment-651-1
ξυντρέχει] Deianira's fate had rushed to meet her when she left the scene (supr. 813).
882.
mvp-comment-652-1
What rage, what madness, prompted her in seizing this evil-pointed weapon?' ξυνεῖλε (= μεταίτιος ἦν τοῦ έλειν) agrees with θυμός, which is the chief nominative. ἢ τίνες νόσοι being added διὰ μέσουν. and possibly spoken by a different member of the Chorus. Cp. Fr. 789. Passion is personified as the author of the deed. Cp. El. 198, δύλος ἦν ὁ φράσας, ἔρος ὁ κτείνας. Several editors have read τάνδ' αἰχμᾷ βέλεος κακοῦ ξυνεῖλε; = 'What rage snatched her away with the point of an evil weapon?' But there is something cold and inappropriate in the demonstrative pronoun thus applied to Deianira here, -as if those present could suppose anyone else to be meant.
884.
mvp-comment-653-1
πῶς ἐμήσατο.. ἀνύσασα] How did she meditate and carry into effect?' For the proleptic use of the participle, cp. Αj. 185, ἐν ποίμναις πίτνων, and note.
887.
mvp-comment-654-1
στονοέντος¹ 'Deadly;' like βέλεα στονοέντα, στονοέντες δϊστοί, πολύστονος ίύς, in Epic Greek. ἐν τομᾷ] For ev of the means or instrument, cp. Ant. 961, ἐν κερτομίοις γλώσσαις.
Essay on L. § 19. p. 28.
888.
mvp-comment-655-1
ματαία has been changed to μάταιε, making an iambic pentapody. As the text stands, the line is a combination of two iambi, a bacchius, and a cretic. ματαία (οι μάταιε) conveys the reproach of helplessness, - You saw, and could do nothing!' τάνδ᾽ ὕβριν) «This violent deed.' The use of ύβρις, as applied to suicide, must be allowed to be catachrestic;' but the Chorus are at a loss for a word corresponding to their impression, and take up the strongest which occurs to them. See
Essay on L. (Specific use of General Words) § 51. p. 95.
890.
mvp-comment-656-1
τίς ἦν; πῶς;] τις = ποῖος. Cp. Ο. C. 775, τις αὕτη τέρψις; The language here becomes very abrupt and irregular.
891.
mvp-comment-657-1
She did and suffered this herself from her own hand. So the force of the middle voice may be rendered. χειροποιεῖται ἐς ἅπαξ λεγόμενον.
892.
mvp-comment-658-1
foll. The ruin of Heracles and the death of Deianira are the first-born offspring of his union with Iole. For the iteration, which is rare in Sophocles, cp. Ο. C. 1670, ἔστιν, ἔστι νῷν δή, κ.τ.λ.