Deianira
Strophe.
Antistrophe.
ACT II.
Scene I.
225
Chorus.
Trachiniae. Sophocles. Thomas Francklin (Translator). London. 1758–1759.
Trachiniae. Sophocles. Thomas Francklin (Translator). London. 1758–1759.
English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))
Provisional text from uncorrected OCR; expect errors.
205-224. mvp-comment-159-1 The Chorus in response to Deianira raise this strain, accompanied, at least in the latter part of it (216 foll.), with dancing, or some rapid motion to and fro. Cp. Aj. 693-717, О. Т. 1086–1109, Ant. 1115-1152, for similar expressions of hope before some catastrophe. See also O. C. 1044 foll., El. 1384-1397. The maidens who are come to visit Deianira (1) challenge the maidens within the house to shout for joy, and (2) invite the young men to accompany them; (3) they encourage each other to raise the hymn to Artemis, (4) they dance under the excitement of the flute and the thyrsus, (5) they call attention to the coming of Lichas with the captives. These quick changes mark the feeling of trepidation which the situation is calculated to produce.
222. mvp-comment-170-1 ἰὼ, ἰὼ Παιάν] The Chorus are just leading up the Paean, which from its monotony could not have been continued with dramatic effect, when Lichas arrives, and they break off. The correction of the text is due to Dindorf, who also reads γυναικῶν. But there is no reason to assume that the three lines must be alike. The iambic tripody with a pause makes a good transition to the other form, CICIC!!. (Qy. ἰδέ· | ἴδ᾽ ὦ φ. γ.?)
223-224. mvp-comment-171-1 τάδ' .. ἐναργῆ] ‘Here is the thing face to face, present and palpable to sight.' ἐναργῆ] 'Beyond the possibility of mistake.'