Why steal’st thou forth in silence? Know’st thou not
Trachiniae. Sophocles. Lewis Campbell (Translator). London, New York and Toronto. 1906.
Trachiniae. Sophocles. Lewis Campbell (Translator). London, New York and Toronto. 1906.
English (Lewis Campbell, 1906) (OCR draft) (English) (English (Lewis Campbell, 1906))
Provisional text from uncorrected OCR; expect errors.
mvp-comment-422-1 σῖγ’ 1
mvp-comment-422-2 815 f. The place of ὀφθαλμῶν ἐμῶν 2 οὖρος 3
mvp-comment-422-3 αὐτῇ 4
mvp-comment-422-4 καλός 5
mvp-comment-423-1 γὰρ 6
mvp-comment-423-2 ὄγκον 7
mvp-comment-423-3 τρέφειν 8
mvp-comment-423-4 μηδὲν 9 ἥτις 10
mvp-comment-424-1 ἀλλ’ ἑρπ. χαίρουσα 11
mvp-comment-424-2 τήνδ’ 12
mvp-comment-425-1 ἴδ’ 13
813-814. mvp-comment-600-1 Deianira has no words wherewith to answer the reproaches of her son. She goes silently and undefended to her death, already heart-broken by having done what she greatly feared to do, and rendered yet more desolate by the rebuke of her child. She enters the house by the central door.
815-816. mvp-comment-601-1 οὗρος καλός] 'Fair be the wind that carries her away out of my sight!' καλός, which is the better reading, is sufficiently supported by the Scholiast. For οὗρος, cp. Ο. Τ. 195, ἔπουρον, and note. Join ἄπωθεν ὀφθαλμῶν ἐμῶν. The inversion gives greater force both to ἐμῶν and to καλός.
816. mvp-comment-602-1 foll. Why vainly keep the high-sounding name of mother for one whose deeds are all unmotherly?' Although ὄγκον ἄλλως might stand alone='A solemn mockery, it is better here to join ἄλλως with τρέφειν. μητρῷον ὄγκον ὀνόματος = ὀγκῶδες ὄνομα μητρός. See Essay on L. § 42. p. 8ο γ.
818. mvp-comment-603-1 ἥτις] For the implied antecedent, cp. O. C. 263 foll. κάμοιγε ποῦ ταῦτ᾽ ἐστιν, οἵτινες βάθρων, κ.τ.λ.
819. mvp-comment-604-1 χαίρουσα] ‘And joy go with her,' said ironically, like oὗpos, supr.; i. e. I willingly give her leave to go. τὴν δὲ τέρψιν, κ.τ.λ.] « And may that joy be hers, -even that, which she gives to my father!' ἥν] The careless rhythm, with the monosyllable in synaphea, suits with the mood of Hyllus, in which, wrought upon by strong passion, he lightly casts off his mother. Exit Hyllus to the courtyard (L).
821ff. mvp-comment-605-1 The Chorus, in an ode which marks the chief peripeteia, (a) pronounce that the doom of Heracles is now inevitable; (b) express their pity for Deianira, who is the unconscious instrument of the calamity, and whom they imagine as 'shedding tender tears;' (c) look apprehensively for what is still to come; (d) hint darkly at the love of Iole, which has been the silent but effectual cause of all this ruin.
821ff. mvp-comment-605-2 The chief metrical peculiarities of the ode are, (1) the frequency of resolutions, and (2) the accumulation of long syllables. The former (1), denoting excitement, is more prominent in the first strophe and antistrophe (a'), the latter (2), expressing sadness, in the second (β΄). In ll. 3-5 of ß' there are corruptions of the text both in strophe and antistrophe, and the metre is consequently uncertain.
821. mvp-comment-606-1 ἴδ᾽.. ὦ παῖδες] 'See, children, in what strange wise the prophetic word comes suddenly to pass.' So close a combination of singular and plural is unusual even in a chorus, but ἴδε, being virtually an interjection, loses the meaning of the inflection, and is used here, like the Homeric ἰδé, as = ἰδού. προσέμιξεν] • Has arrived;' i.e. is come to its fulfilment, and has touched our life. ὦ παῖδες] Cp. infr. l. 871. ἄφαρ] This Epic and Lyric word occurs four times in the Trachiniae, and nowhere else in Sophocles. See Essay on L. § 57. p. 104.