Sophocles Trachiniae 223

ed. Lewis Campbell

ὁρῶ, φίλαι γυναῖκες, οὐδέ μ᾿ ὄμματος

Trachiniae. Sophocles. ed. Lewis Campbell. Oxford. 1879.

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 205-496 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 223 focus
HYL
Ay me! how cross and doubtful is my way!
1245
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 225 focus
Ich seh' es, liebe Frauen, seh' ihn hier, den Zug,
Und meines Auges treuer Wacht entging er nicht.
220
Willkommen, Herold! ruf' ich, der nach langer Zeit
Willkommen nahte, wenn du mir Willkomm'nes bringst.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 223 focus
Hyllus
1230
Her, of my mother's death that was alone
1230
The guilty cause, that brought thee to this state,
1230
Her, by the vengeful furies if not urged; li
1230
Who would receive? No; rather let me die, ......
Than dwell with those whom most my soul abhors.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 141-495 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-116-1 τάδ’ 1

mvp-comment-116-2 ἐναργῆ 2 ἀντίπρῳρα 3

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

205-224. mvp-comment-159-1 The Chorus in response to Deianira raise this strain, accompanied, at least in the latter part of it (216 foll.), with dancing, or some rapid motion to and fro. Cp. Aj. 693-717, О. Т. 1086–1109, Ant. 1115-1152, for similar expressions of hope before some catastrophe. See also O. C. 1044 foll., El. 1384-1397. The maidens who are come to visit Deianira (1) challenge the maidens within the house to shout for joy, and (2) invite the young men to accompany them; (3) they encourage each other to raise the hymn to Artemis, (4) they dance under the excitement of the flute and the thyrsus, (5) they call attention to the coming of Lichas with the captives. These quick changes mark the feeling of trepidation which the situation is calculated to produce.

222. mvp-comment-170-1 ἰὼ, ἰὼ Παιάν] The Chorus are just leading up the Paean, which from its monotony could not have been continued with dramatic effect, when Lichas arrives, and they break off. The correction of the text is due to Dindorf, who also reads γυναικῶν. But there is no reason to assume that the three lines must be alike. The iambic tripody with a pause makes a good transition to the other form, CICIC!!. (Qy. ἰδέ· | ἴδ᾽ ὦ φ. γ.?)