Sophocles Trachiniae 220

ed. Lewis Campbell

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 205-496 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 220 focus
HER
This youth withdraws his reverence in my death.
But, if thou yield’st not to thy father’s best,
The curse from Heaven shall dog thy footsteps still.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 225 focus
Ich seh' es, liebe Frauen, seh' ihn hier, den Zug,
Und meines Auges treuer Wacht entging er nicht.
220
Willkommen, Herold! ruf' ich, der nach langer Zeit
Willkommen nahte, wenn du mir Willkomm'nes bringst.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 220 focus
Hercules
Most just. This charge I give thee, Her, my son,
When I am dead (since thou hast shown a will
Prompt to be pious) mindful of thine oath
Espouse; and let no man, thy self except,
Her, for my bed design'd, presume to touch;
But give her thy fond love, my son; indulge/.
Thy father's wish this slight request refused,
Things of high import granted lose their grace.1
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 141-495 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

205-224. mvp-comment-159-1 The Chorus in response to Deianira raise this strain, accompanied, at least in the latter part of it (216 foll.), with dancing, or some rapid motion to and fro. Cp. Aj. 693-717, О. Т. 1086–1109, Ant. 1115-1152, for similar expressions of hope before some catastrophe. See also O. C. 1044 foll., El. 1384-1397. The maidens who are come to visit Deianira (1) challenge the maidens within the house to shout for joy, and (2) invite the young men to accompany them; (3) they encourage each other to raise the hymn to Artemis, (4) they dance under the excitement of the flute and the thyrsus, (5) they call attention to the coming of Lichas with the captives. These quick changes mark the feeling of trepidation which the situation is calculated to produce.

219-220. mvp-comment-169-1 ἰδοὺἅμιλλαν] • Behold even now (glory to Iacchos), the ivy stirs up my soul, and makes me quick to turn in' (or 'into') 'the Bacchic course!' The ivy upon their brows, or wound about the thyrsus, with which they incite each other to the dance. βακχίαν .. ἅμιλλαν is probably acc. in app. with the action of ὑποστρέφων. Turning me' either in,' or 'into the Bacchic course.' Others, with the Scholiast, would render, Converting my soul (from sorrow) to the Bacchic dance.'