πολύπονον
ὥσπερ
ὥστε
ὥσπερ πέλαγος Κρήσιον, ἀλλά τις θεῶν
115
Trachiniae. Sophocles. ed. Lewis Campbell. Oxford. 1879.
Table of Contents
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Current edition Experimental
Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 94-140 focus
Χορός
ὃν αἰόλα νὺξ ἐναριζομένα
τίκτει κατευνάζει τε, φλογιζόμενον
95
Ἅλιον Ἅλιον αἰτῶ
τοῦτο καρῦξαι, τὸν Ἀλκμήνας πόθι μοι πόθι παῖς
ναίει ποτʼ, ὦ λαμπρᾷ στεροπᾷ φλεγέθων,
ἢ ποντίας αὐλῶνος ἢ δισσαῖσιν ἀπείροις κλιθείς,
100
εἴπʼ, ὦ κρατιστεύων κατʼ ὄμμα.
ὃν αἰόλα νὺξ ἐναριζομένα
τίκτει κατευνάζει τε, φλογιζόμενον
95
Ἅλιον Ἅλιον αἰτῶ
τοῦτο καρῦξαι, τὸν Ἀλκμήνας πόθι μοι πόθι παῖς
ναίει ποτʼ, ὦ λαμπρᾷ στεροπᾷ φλεγέθων,
ἢ ποντίας αὐλῶνος ἢ δισσαῖσιν ἀπείροις κλιθείς,
100
εἴπʼ, ὦ κρατιστεύων κατʼ ὄμμα.
Χορός
ποθουμένᾳ γὰρ φρενὶ πυνθάνομαι
τὰν ἀμφινεικῆ Δηιάνειραν ἀεί,
οἷά τινʼ ἄθλιον ὄρνιν,
105
οὔποτʼ εὐνάζειν ἀδακρύτων βλεφάρων πόθον, ἀλλʼ
εὔμναστον ἀνδρὸς δεῖμα τρέφουσαν ὁδοῦ
ἐνθυμίοις εὐναῖς ἀνανδρώτοισι τρύχεσθαι, κακὰν
110
δύστανον ἐλπίζουσαν αἶσαν.
ποθουμένᾳ γὰρ φρενὶ πυνθάνομαι
τὰν ἀμφινεικῆ Δηιάνειραν ἀεί,
οἷά τινʼ ἄθλιον ὄρνιν,
105
οὔποτʼ εὐνάζειν ἀδακρύτων βλεφάρων πόθον, ἀλλʼ
εὔμναστον ἀνδρὸς δεῖμα τρέφουσαν ὁδοῦ
ἐνθυμίοις εὐναῖς ἀνανδρώτοισι τρύχεσθαι, κακὰν
110
δύστανον ἐλπίζουσαν αἶσαν.
Χορός
πολλὰ γὰρ ὥστʼ ἀκάμαντος ἢ νότου ἢ βορέα τις
κύματʼ ἂν εὐρέϊ πόντῳ βάντʼ ἐπιόντα τʼ ἴδοι,
οὕτῶ δὲ τὸν Καδμογενῆ στρέφει, τὸ δʼ αὔξει,
βιότου πολύπονον ὥσπερ πέλαγος
115
Κρήσιον. ἀλλά τις θεῶν αἰὲν ἀναμπλάκητον Ἅιδα
120
σφε δόμων ἐρύκει.
πολλὰ γὰρ ὥστʼ ἀκάμαντος ἢ νότου ἢ βορέα τις
κύματʼ ἂν εὐρέϊ πόντῳ βάντʼ ἐπιόντα τʼ ἴδοι,
οὕτῶ δὲ τὸν Καδμογενῆ στρέφει, τὸ δʼ αὔξει,
βιότου πολύπονον ὥσπερ πέλαγος
115
Κρήσιον. ἀλλά τις θεῶν αἰὲν ἀναμπλάκητον Ἅιδα
120
σφε δόμων ἐρύκει.
Χορός
ὧν ἐπιμεμφομένα σʼ αἰδοῖα μέν, ἀντία δʼ οἴσω.
φαμὶ γὰρ οὐκ ἀποτρύειν ἐλπίδα τὰν ἀγαθὰν
125
χρῆναί σʼ· ἀνάλγητα γὰρ οὐδʼ ὁ πάντα κραίνων βασιλεὺς ἐπέβαλε θνατοῖς Κρονίδας·
ἀλλʼ ἐπὶ πῆμα καὶ χαρὰ πᾶσι κυκλοῦσιν, οἷον
ἄρκτου στροφάδες κέλευθοι.
130
μένει γὰρ οὔτʼ αἰόλα
ὧν ἐπιμεμφομένα σʼ αἰδοῖα μέν, ἀντία δʼ οἴσω.
φαμὶ γὰρ οὐκ ἀποτρύειν ἐλπίδα τὰν ἀγαθὰν
125
χρῆναί σʼ· ἀνάλγητα γὰρ οὐδʼ ὁ πάντα κραίνων βασιλεὺς ἐπέβαλε θνατοῖς Κρονίδας·
ἀλλʼ ἐπὶ πῆμα καὶ χαρὰ πᾶσι κυκλοῦσιν, οἷον
ἄρκτου στροφάδες κέλευθοι.
130
μένει γὰρ οὔτʼ αἰόλα
Χορός
νὺξ βροτοῖσιν οὔτε κῆρες
οὔτε πλοῦτος, ἀλλʼ ἄφαρ
βέβακε, τῷ δʼ ἐπέρχεται
χαίρειν τε καὶ στέρεσθαι.
135
ἃ καὶ σὲ τὰν ἄνασσαν ἐλπίσιν λέγω
τάδʼ αἰὲν ἴσχειν· ἐπεὶ τίς ὧδε
τέκνοισι Ζῆνʼ ἄβουλον εἶδεν;
140
νὺξ βροτοῖσιν οὔτε κῆρες
οὔτε πλοῦτος, ἀλλʼ ἄφαρ
βέβακε, τῷ δʼ ἐπέρχεται
χαίρειν τε καὶ στέρεσθαι.
135
ἃ καὶ σὲ τὰν ἄνασσαν ἐλπίσιν λέγω
τάδʼ αἰὲν ἴσχειν· ἐπεὶ τίς ὧδε
τέκνοισι Ζῆνʼ ἄβουλον εἶδεν;
140
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 115 focus
CHORUS
CHORUS .
633
O ye that haunt the strand
Where ships in quiet land
Near Oeta’s height and the warm rock-drawn well,
And ye round Melis’ inland gulf who dwell,
Worshipping her who wields the golden wand,—
(There Hellas’ wisest meet in council strong):
Soon shall the flute arise
With sound of glad surprise,
Thrilling your sense with no unwelcome song,
But tones that to the harp of Heavenly Muse belong.
Zeus’ and Alcmena’s son,—
All deeds of glory done,—
Speeds now triumphant to his home, whom we
Twelve weary months of blind expectancy
Lost in vast distance, from our country gone.
While, sadly languishing, his loving wife,
Still flowing down with tears,
Pined with unnumbered fears.
But Ares, lately stung to furious strife,
Frees him for ever from the toilsome life.
O let him come to-day!
Ne’er may his vessel stay,
But glide with feathery sweep of many an oar,
Till from his altar by yon island shore
Even to our town he wind his prosperous way,
In mien returning mild,
And inly reconciled,
With that anointing in his heart ingrained,
Which the dark Centaur’s wizard lips ordained.
O ye that haunt the strand
Where ships in quiet land
Near Oeta’s height and the warm rock-drawn well,
And ye round Melis’ inland gulf who dwell,
Worshipping her who wields the golden wand,—
(There Hellas’ wisest meet in council strong):
Soon shall the flute arise
With sound of glad surprise,
Thrilling your sense with no unwelcome song,
But tones that to the harp of Heavenly Muse belong.
Zeus’ and Alcmena’s son,—
All deeds of glory done,—
Speeds now triumphant to his home, whom we
Twelve weary months of blind expectancy
Lost in vast distance, from our country gone.
While, sadly languishing, his loving wife,
Still flowing down with tears,
Pined with unnumbered fears.
But Ares, lately stung to furious strife,
Frees him for ever from the toilsome life.
O let him come to-day!
Ne’er may his vessel stay,
But glide with feathery sweep of many an oar,
Till from his altar by yon island shore
Even to our town he wind his prosperous way,
In mien returning mild,
And inly reconciled,
With that anointing in his heart ingrained,
Which the dark Centaur’s wizard lips ordained.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 112 focus
Wie man in Weiten der See, wann
Boreas oder der Süd stürmt,
Wogen sich drängend an Wogen,
Kommend und gehend erblickt:
110
So treibt den Sohn Thebe's umher
Des Lebens vielfältige Noth,
Und wächst empor, kretischen Meers
Wallungen gleich; doch läßt ihn nie
Straucheln ein Gott und hält ihn stets
115
Ferne vom Haus des Todes.
Zweite Gegenstrophe.
Wie man in Weiten der See, wann
Boreas oder der Süd stürmt,
Wogen sich drängend an Wogen,
Kommend und gehend erblickt:
110
So treibt den Sohn Thebe's umher
Des Lebens vielfältige Noth,
Und wächst empor, kretischen Meers
Wallungen gleich; doch läßt ihn nie
Straucheln ein Gott und hält ihn stets
115
Ferne vom Haus des Todes.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 115 focus
Nurse
Deianira treads
The last sad path of mortals.
Deianira treads
The last sad path of mortals.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 115 focus
Deianira
ANTIS. 1.
STRO. 2.
DEIANIRA, CHORUS.
663
I fear, my female friends, that I have done
More than became me in my late attempt.
I fear, my female friends, that I have done
More than became me in my late attempt.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 94-140 focus
Enter the Chorus on the other side.
103
Chorus
You, to whom Night gives birth when she is vanquished and despoiled of her starry crown,
and whom, as you blaze, she lays to rest, I pray you, O Sun, Sun, tell me, where is Alcmena’s son, where dwells her child? O Shining god with your bright flash,
95
is he on the straits of the sea, or does he lean upon the twin continents? Speak, you who surpass all in sight!
100
You, to whom Night gives birth when she is vanquished and despoiled of her starry crown,
and whom, as you blaze, she lays to rest, I pray you, O Sun, Sun, tell me, where is Alcmena’s son, where dwells her child? O Shining god with your bright flash,
95
is he on the straits of the sea, or does he lean upon the twin continents? Speak, you who surpass all in sight!
100
Chorus
For with longing heart, as I hear, Deianeira, the battle-prize, now,
like some mournful bird, never rests her eyes’ longing that they might be without tears, but nourishing a well-remembered fear for her husband’s travels she is constantly afflicted
105
by her anxious, widowed marriage-bed and in her misery anticipates misfortune.
110
For with longing heart, as I hear, Deianeira, the battle-prize, now,
like some mournful bird, never rests her eyes’ longing that they might be without tears, but nourishing a well-remembered fear for her husband’s travels she is constantly afflicted
105
by her anxious, widowed marriage-bed and in her misery anticipates misfortune.
110
Chorus
For just as one may see billow after billow
advancing and passing over the wide deep before the tireless south-wind, or the north, so the great toil of his life, stormy as the Cretan sea, now whirls back the heir of Cadmus, now exalts him. But some god always
115
keeps him unerring from the house of Hades.
120
For just as one may see billow after billow
advancing and passing over the wide deep before the tireless south-wind, or the north, so the great toil of his life, stormy as the Cretan sea, now whirls back the heir of Cadmus, now exalts him. But some god always
115
keeps him unerring from the house of Hades.
120
To Deianeira.
132
Chorus
With respect I reproach you for your weeping, but still I will speak in dissent.
You must not, I say, wear away fair hope. Remember that the all-accomplishing king, the son of Cronus, does not appoint a painless lot for mortals. Sorrow and joy revolve to all, as the stars of the Bear
125
move in their circling paths.
130
With respect I reproach you for your weeping, but still I will speak in dissent.
You must not, I say, wear away fair hope. Remember that the all-accomplishing king, the son of Cronus, does not appoint a painless lot for mortals. Sorrow and joy revolve to all, as the stars of the Bear
125
move in their circling paths.
130
Chorus
Starry night does not remain constant with men, nor does tribulation, nor wealth; in a moment it is gone from us, and to another in his turn come both
gladness and bereavement. So I urge even you, our Queen, to keep these matters firmly in your outlook. You must, for who has
135
known Zeus to be so without care for his children?
140
Starry night does not remain constant with men, nor does tribulation, nor wealth; in a moment it is gone from us, and to another in his turn come both
gladness and bereavement. So I urge even you, our Queen, to keep these matters firmly in your outlook. You must, for who has
135
known Zeus to be so without care for his children?
140
Commentary
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
94-140. mvp-comment-81-1 Parodos. Where in the wide world is Heracles, reposing in what continent, or by what narrow sea? Tell us, bright, all-beholding Sun! For our Deianira, for whose hand he fought, wears out her soul in thinking of him on her lonely couch; so ceaseless are the toils that crowd upon him like stormy billows. But God hath hitherto protected him; wherefore let not hope weary, O my queen. No life is without pain, but, by Divine ordinance, grief succeeds to joy and joy to grief. Remember this and hope the best. Zeus cannot leave his offspring to destruction.' The metre beginning with an iambic rhythm passes quickly into dactylo-trochaic, changing again in the epode to iambo-trochaic (with occasional syncope), then to pure iambics, ending with a bacchius followed by three trochees.
115. mvp-comment-96-1 βάντ᾽ ἐπιόντα τε] Not, 'Coming and going,' or, 'Falling and rising, but, '(One) having gone and (another) coming on.' Cp. II. 4. 422, 3, ὡς δ᾽ ὅτ᾽ ἐν αἰγιαλῷ πολυηχέϊ κῦμα θαλάσσης | ὄρνυτ' ἐπασσύτερον Ζεφύρου ὕπο κινήσαντος : 13. 798, (κύματα) πρὸ μέν τ᾽ ἄλλ᾽ αὐτὰρ ἔπ᾿ ἄλλα. For the meaning given to βάντα, cp. Ant. 120, ἔβα, and note. ἴδοι] The change to the subjunctive, in accordance with Homeric idiom, is unnecessary. Ср. О. С. 1172, ὅν γ' ἐγὼ ψέξαιμί τι: Hdt. 2. 93, ἵνα δὴ μὴ ἁμάρτοιεν τῆς ὁδοῦ. And see Essay on L. § 36. p. 61. Several editions read ἴδοις, with του in 114. But for the ellipse of tis, see Essay on L. § 39. p. 72, 3. οὕτω δέ] δέ ' in apodosi,' as in El. 27, ὡσαύτως δὲ σύ, κ.τ.λ.