[1] AT the Pythian games Callistratus, procurator of the Amphictyons, forbade a piper, his citizen and friend, who did not give in his name in due time, to appear in the solemnity, which he did according to the law. But afterwards entertaining us, he brought him into the room with the chorus, finely dressed in his robes and with chaplets on his head, as if he was to contend for the prize. And at first indeed he played a very fine tune; but afterwards, having tickled and sounded the humor of the whole company, and found that most were inclined to pleasure and would suffer him to play what effeminate and lascivious tunes he pleased, throwing aside all modesty, he showed that music was more intoxicating than wine to those that wantonly and unskilfully use it. For they were not content to sit still and applaud and clap, but many at last leaped from their seats, danced lasciviously, and made such gentle steps as became such effeminate and mollifying tunes. But after they had done, and the company, as it were recovered of its madness, began to come to itself again, Lamprias would have spoken to and severely chid the young men; but as he feared he should be too harsh and give offence, Callistratus gave him a hint, and drew him on by this discourse:—

[2] For my part, I absolve all lovers of shows and music from intemperance; yet I cannot altogether agree with Aristoxenus, who says that those pleasures alone deserve the approbation fine. For we call viands and ointments fine; and we say we have finely dined, when we have been splendidly entertained. Nor, in my opinion, doth Aristotle upon good reason free those complacencies we take in shows and songs from the charge of intemperance, saying, that those belong peculiarly to man, and of other pleasures beasts have a share. For I am certain that a great many irrational creatures are delighted with music, as deer with pipes; and to mares, whilst they are horsing, they play a tune called ἱππόθορος. And Pindar says, that his songs make him move, And certain fish are caught by means of dancing; for during the dance they lift up their heads above water, being much pleased and delighted with the sight, and twisting their backs this way and that way, in imitation of the dancers. Therefore I see nothing peculiar in those pleasures, that they should be accounted proper to the mind, and all others to belong to the body, so far as to end there. But music, rhythm, dancing, song, passing through the sense, fix a pleasure and titilation in the sportive part of the soul; and therefore none of these pleasures is enjoyed in secret, nor wants darkness nor walls about it, according to the women’s phrase; but circuses and theatres are built for them. And to frequent shows and music-meetings with company is both more delightful and more genteel; because we take a great many witnesses, not of a loose and intemperate, but of a pleasant and genteel, manner of passing away our time.

[3] Upon this discourse of Callistratus, my father Lamprias, seeing the musicians grow bolder, said: That is not the reason, sir, and, in my opinion, the ancients were much out when they named Bacchus the son of Forgetfulness. They ought to have called him his father; for it seems he hath made you forget that some of those faults which are committed about pleasures proceed from a loose intemperate inclination, and others from heedlessness or ignorance. Where the ill effect is very plain, there intemperate inclination captivates reason, and forces men to sin; but where the just reward of intemperance is not directly and presently inflicted, there ignorance of the danger and heedlessness make men easily wrought on and secure. Therefore those that are vicious, either in eating, drinking, or venery, which diseases, wasting of estates, and evil reports usually attend, we call intemperate. For instance, Theodectes, who having sore eyes, when his mistress came to see him, said, or Anaxarchus the Abderite, Now those that take all care possible to secure themselves from all those pleasures that assault them either at the smelling, touch, or taste, are often surprised by those that make their treacherous approaches either at the eye or ear. But such, though as much led away as the others, we do not in like manner call loose and intemperate, since they are debauched through ignorance and want of experience. For they imagine they are far from being slaves to pleasures, if they can stay all day in the theatre without meat or drink; as if a pot forsooth should be mighty proud that a man cannot take it up by the bottom or the belly and carry it away, though he can easily do it by the ears. Therefore Agesilaus said, it was all one whether a man were a cinaedus before or behind. We ought principally to dread those softening delights that please and tickle through the eyes and ears, and not think that city not taken which hath all its other gates secured by bars, portcullises, and chains, if the enemies are already entered through one and have taken possession; or fancy ourselves invincible against the assaults of pleasure, because stews will not provoke us, when the music-meeting or theatre prevails. For in one case as much as the other we resign up our souls to the impetuousness of pleasures, which pouring in those potions of songs, cadences, and tunes, more powerful and bewitching than the best mixtures of the skilful cook or perfumer, conquer and corrupt us; and in the mean time, by our own confession, as it were, the fault is chiefly ours. Now, as Pindar saith, nothing that the earth and sea hath provided for our tables can be justly blamed, nor doth it change; but neither our meat nor broth, nor this excellent wine which we drink, hath raised such a noisy tumultuous pleasure as those songs and tunes did, which not only filled the house with clapping and shouting, but perhaps the whole town. Therefore we ought principally to secure ourselves against such delights, because they are more powerful than others; as not being terminated in the body, like those which allure the touch, taste, or smelling, but affecting the very intellectual and judging faculties. Besides, from most other delights, though reason doth not free us, yet other passions very commonly divert us. Sparing niggardliness will keep a glutton from dainty fish, and covetousness will confine a lecher from a costly whore. As in one of Menander’s plays, where every one of the company was to be enticed by the bawd who brought out a surprising whore, each of them, though all boon companions, For to pay interest for money is a severe punishment that follows intemperance, and to open our purses is no easy matter. But these pleasures that are called genteel, and solicit the ears or eyes of those that are frantic after shows and music, may be had without any charge at all, in every place almost, and upon every occasion; they may be enjoyed at the prizes, in the theatre, or at entertainments, at others’ cost. And therefore those that have not their reason to assist and guide them may be easily spoiled.

[4] Silence following upon this, What application, said I, shall reason make, or how shall it assist? For I do not think it will apply those ear-covers of Xenocrates, or force us to rise from the table as soon as we hear a harp struck or a pipe blown. No indeed, replied Lamprias, but as soon as we meet with the foresaid intoxications, we ought to make our application to the Muses, and fly to the Helicon of the ancients. To him that loves a costly strumpet, we cannot bring a Panthea or Penelope for cure; but one that delights in mimics and buffoons, loose odes, or debauched songs, we can bring to Euripides, Pindar, and Menander, that he might wash (as Plato phraseth it) his salt hearing with fresh reason. As the exorcists command the possessed to read over and pronounce Ephesian letters, so we in those possessions, amid all the madness of music and dancing, when remembering those venerable and sacred writings, and comparing with them those odes, poems, and vain empty compositions, shall not be altogether cheated by them, or permit ourselves to be carried away sidelong, as by a smooth and undisturbed stream.