Plutarch De Tranquillitate Animi intro

William Clark Helmbold (Translator)

De Tranquillitate Animi. Plutarch. William Clark Helmbold (Translator). Cambridge, MA. 1939.

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Current edition Perseus

On Tranquillity of Mind (English) (Plutarch. Moralia, Vol. VI. Helmbold, William Clark, translator. Cambridge, MA: Harvard University Press; London: William Heinemann Ltd., 1939 (printing).)

Notes on the current edition

On Tranquillity of Mind

1. Pohlens and Siefert have at times insisted that in spite of the plural there is only one main source. This lacks all probablity.
2. But Heinze (p. 507) admitted the possibility of some Epicurean excerpts also being used.
3. At the same time, O. Hense ( Rheinisches Museum, xlv. 550 ff.) was attempting to trace De Curiositate to Ariston. Readers of the Jahresberichte should note that F. Bock ( Jbb., clii. 1911, p. 334) has not read these articles and is, as often, a thoroughly untrustworthy guide.
4. See also Zeitschrift für wissenschaftliche Theologie, xlviii. 95 and note.
5. But now Pohlenz (in the Teubner ed., 1929) has become partially converted to Siefert’s views, while rightly continuing to maintain some Epicurean influence. The fact that Plutarch in the last part of his work follows the εὐχαριστία to the gifts of Fortune urged by Epicurus (Fragg. 435 and 491 ed. Usener) seems to me decisive, in spite of Siefert’s evasions.
6. For the structure of the essay see Siefert’s earlier work ( Commentationes Ienenses, vi. 1896, pp. 57-74), supplemented and corrected by Pohlenz, l.c.
7. This conclusion bears some resemblance to that reached by H. N. Fowler ( Harvard Stud. Cl. Phil., i. 149 ff.), whose work is called by Siefert noch unergiebiger than the Biomanie of the Hense-Heinze school; but Fowler was inclined to stress too mcuh the relation to Democritus and the parallels which Hirzel had urged between Seneca and Plutarch. That Seneca’s De Tranquillitate Animi goes back to an immediate original common to Plutarch’s work also is extremely unlikely. Only one anecdote, one quotation, and a dozen or so commonplaces are not nearly enough to show any close relationship. And how dissimilar the two works are in treatment, design, terminology, and form ( pace Hirzel, Der Dialog, ii. p. 28, n. 1)!