SYLLA.
Those painters, O Fundanus, in my opinion do very wisely, who never finish any piece at the first sitting, but take a review of it at some convenient distance of time; because the eye, being relieved for a time, renews its power by making frequent and fresh judgments, and becomes able to observe many small and critical differences which continual poring and familiarity would prevent it from noticing. Now, because it cannot be that a man should stand off from himself and interrupt his consciousness, and then after some interval return to accost himself again (which is one principal reason why a man is a worse judge of himself than of other men), the next best course that a man can take will be to inspect his friends after some time of absence, and also to offer himself to their examination, not to see whether he be grown old on the sudden, or whether the habit of his body be become better or worse than it was before, but that they may take notice of his manner and behavior, whether in that time he hath made any advance in goodness, or gained ground of his vices. Wherefore, being after two years’ absence returned to Rome, and having since conversed with thee here again for these five months, I think it no great matter of wonder that those good qualities which, by the advantage of a good natural disposition, you were formerly possessed of have in this time received so considerable an increase. But truly, when I behold how that vehement and fiery disposition which you had to anger is now through the conduct of reason become so gentle and tractable, my mind prompts me to say, with Homer,—FUNDANUS.
But in the mean while, O most kind Sylla, you had best beware, lest you also through affection and friendship may be somewhat careless in making an estimate of my affairs. For Eros, having himself also a mind oft-times unable to keep its ground and to contain itself within that obedience which Homer mentions, but subject to be exasperated through an hatred of men’s wickedness, may perhaps think I am grown more mild; just as in music, when the key is changed, that note which before was the base becomes a higher note with respect to others which are now below it.SYLLA.
Neither of these is so, Fundanus; but, I pray you, gratify us all by granting the request I made.De cohibenda ira. Plutarch. ed. William W. Goodwin. Boston. 1874.
Sponsored by Perseus Project, Tufts University.
Funding provided by The National Endowment for the Humanities.