Diogenes Laertius, Vitae philosophorum, R. D. Hicks (Translator), 3.1.5

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[5] and that he applied himself to painting and wrote poems, first dithyrambs, afterwards lyric poems and tragedies. He had, they say, a weak voice; this is confirmed by Timotheus the Athenian in his book On Lives. It is stated that Socrates in a dream saw a cygnet on his knees, which all at once put forth plumage, and flew away after uttering a loud sweet note. And the next day Plato was introduced as a pupil, and thereupon he recognized in him the swan of his dream.¹

At first he used to study philosophy in the Academy, and afterwards in the garden at Colonus (as Alexander states in his Successions of Philosophers), as a follower of Heraclitus. Afterwards, when he was about to compete for the prize with a tragedy, he listened to Socrates in front of the theatre of Dionysus,² and then consigned his poems to the flames, with the words³:

Come hither, O fire-god, Plato now has need of thee.⁴

Vitae philosophorum. Diogenes Laertius. R. D. Hicks (Translator). Cambridge, MA. 1925.

Funding provided by National Endowment for the Humanities Division of Preservation and Access.

Current edition Perseus

Lives of Eminent Philosophers (English) (Diogenes Laertius. Hicks, R. D., editor. Cambridge, MA.: Harvard University Press; London: William Heinemann Ltd., 1925.)

Editions (1)

Βίοι καὶ γνῶμαι τῶν ἐν φιλοσοφίᾳ εὐδοκιμησάντων Perseus (Diogenes Laertius. Hicks, R. D., editor. Cambridge, MA.: Harvard University Press; London: William Heinemann Ltd., 1925.) — 3.1.5 focus

[5] καὶ γραφικῆς ἐπιμεληθῆναι καὶ ποιήματα γράψαι, πρῶτον μὲν διθυράμβους, ἔπειτα καὶ μέλη καὶ τραγῳδίας. ἰσχνόφωνός τε, φασίν, ἦν, ὡς καὶ Τιμόθεός φησιν ὁ Ἀθηναῖος ἐν τῷ Περὶ βίων. λέγεται δʼ ὅτι Σωκράτης ὄναρ εἶδε κύκνου νεοττὸν ἐν τοῖς γόνασιν ἔχειν, ὃν καὶ παραχρῆμα πτεροφυήσαντα ἀναπτῆναι ἡδὺ κλάγξαντα· καὶ μεθʼ ἡμέραν Πλάτωνα αὐτῷ συστῆναι, τὸν δὲ τοῦτον εἰπεῖν εἶναι τὸν ὄρνιν.

Ἐφιλοσόφει δὲ τὴν ἀρχὴν ἐν Ἀκαδημείᾳ, εἶτα ἐν τῷ κήπῳ τῷ παρὰ τὸν Κολωνόν, ὥς φησιν Ἀλέξανδρος ἐν Διαδοχαῖς, καθʼ Ἡράκλειτον. ἔπειτα μέντοι μέλλων ἀγωνιεῖσθαι τραγῳδίᾳ πρὸ τοῦ Διονυσιακοῦ θεάτρου Σωκράτους ἀκούσας κατέφλεξε τὰ ποιήματα εἰπών·

Ἥφαιστε, πρόμολʼ ὧδε· Πλάτων νύ τι σεῖο χατίζει.

Notes on the current edition

Lives of Eminent Philosophers

1. Compare Apuleius, De Platone, p. 64 Goldb. It has been proposed to emend the next sentence by bracketing the words ἐν Ἀκαδημείᾳ, εἶτα ἐν τῷ κήπῳ τῷ παρὰ τὸν Κολωνόν, as a note inserted by Diogenes Laertius from a different author.

2. Aelian ( V.H. ii. 30) has πρὸ τῶν Διονυσίων, before the festival of Dionysus.

3. Hom. Il. xviii. 392.

4. ἔπειτα μέντοι . . . τι σεῖο χατίζει. It is suggested that this sentence also is an insertion by Diogenes, which interrupts the real sequence of the narrative.

Diogenes Laertius Vitae philosophorum 3.1.5

R. D. Hicks (Translator)

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